متابعة
Andrew McPherson
Andrew McPherson
Chair in Design Engineering and Music, Imperial College London
بريد إلكتروني تم التحقق منه على imperial.ac.uk - الصفحة الرئيسية
عنوان
عدد مرات الاقتباسات
عدد مرات الاقتباسات
السنة
An environment for submillisecond-latency audio and sensor processing on BeagleBone Black
A McPherson, V Zappi
Audio engineering society convention 138, 965-971, 2015
1932015
Action-sound latency: Are our tools fast enough?
AP McPherson, RH Jack, G Moro
New Interfaces for Musical Expression, 2016
1182016
Design for Longevity: Ongoing Use of Instruments from NIME 2010-14
F Morreale, AP McPherson
New Interfaces for Musical Expression, 2017
1072017
Audio Effects
JD Reiss, A McPherson
CRC Press, 2014
1052014
The magnetic resonator piano: Electronic augmentation of an acoustic grand piano
A McPherson
Journal of New Music Research 39 (3), 189-202, 2010
1052010
Dimensionality and Appropriation in Digital Musical Instrument Design
V Zappi, AP McPherson
Proc. NIME, 2014
932014
Building a maker community around an open hardware platform
F Morreale, G Moro, A Chamberlain, S Benford, AP McPherson
Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017
772017
The Problem of the Second Performer: Building a Community Around an Augmented Piano
A McPherson, Y Kim
Computer Music Journal 36 (4), 10-27, 2012
692012
Augmenting the acoustic piano with electromagnetic string actuation and continuous key position sensing
A McPherson, Y Kim
Proceedings of the International Conference on New Interfaces for Musical …, 2010
652010
Making high-performance embedded instruments with Bela and Pure Data
G Moro, A Bin, RH Jack, C Heinrichs, AP McPherson
University of Sussex, 2016
632016
TouchKeys: Capacitive Multi-Touch Sensing on a Physical Keyboard
A McPherson
Proc. NIME, 2012
582012
Action-sound latency and the perceived quality of digital musical instruments: comparing professional percussionists and amateur musicians
RH Jack, A Mehrabi, T Stockman, AP McPherson
Music Perception 36 (1), 2018
532018
NIME Identity from the Performer’s Perspective
F Morreale, AP McPherson, MM Wanderley
NIME, 2018
532018
Idiomatic patterns and aesthetic influence in computer music languages
A McPherson, K Tahıroğlu
Organised sound 25 (1), 53-63, 2020
512020
Musical instruments for novices: Comparing NIME, HCI and crowdfunding approaches
A McPherson, F Morreale, J Harrison
New directions in music and human-computer interaction, 179-212, 2019
502019
A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community
F Morreale, SMA Bin, AP McPherson, P Stapleton, MM Wanderley
New Interfaces for Musical Expression, 2020
482020
Bela: An embedded platform for low-latency feedback control of sound
A McPherson
The Journal of the Acoustical Society of America 141 (5_Supplement), 3618-3618, 2017
472017
Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument
RH Jack, T Stockman, A McPherson
Proceedings of the audio mostly 2016, 116-123, 2016
472016
A low-cost real-time tracking system for violin
LS Pardue, C Harte, AP McPherson
Journal of New Music Research 44 (4), 305-323, 2015
462015
DDX7: Differentiable FM synthesis of musical instrument sounds
F Caspe, A McPherson, M Sandler
arXiv preprint arXiv:2208.06169, 2022
452022
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مقالات 1–20