| Applying intelligence to the reflexes: Embodied skills and habits between Dreyfus and Descartes J Sutton, D McIlwain, W Christensen, A Geeves Journal of the British society for Phenomenology 42 (1), 78-103, 2011 | 274 | 2011 |
| Who enjoys listening to violent music and why? WF Thompson, AM Geeves, KN Olsen Psychology of Popular Media Culture 8 (3), 218, 2019 | 114* | 2019 |
| To think or not to think: The apparent paradox of expert skill in music performance A Geeves, DJF McIlwain, J Sutton, W Christensen Expertise, pedagogy and practice, 121-138, 2018 | 84 | 2018 |
| Embodied cognition, perception, and performance in music A Geeves, J Sutton Empirical Musicology Review 9 (3-4), 247-253, 2014 | 39 | 2014 |
| Seeing yellow:‘Connection’and routine in professional musicians’ experience of music performance AM Geeves, DJF McIlwain, J Sutton Psychology of Music 44 (2), 183-201, 2016 | 30 | 2016 |
| The performative pleasure of imprecision: a diachronic study of entrainment in music performance A Geeves, DJ McIlwain, J Sutton Frontiers in Human Neuroscience 8, 863, 2014 | 23 | 2014 |
| The interpersonal development of an embodied sense of agency. CE Deans, D McIlwain, A Geeves Psychology of Consciousness: Theory, research, and practice 2 (3), 315, 2015 | 19 | 2015 |
| Fullness of Feeling: reflection, rumination, depression and the specificity of autobiographical memories D McIlwain, A Taylor, A Geeves ASCS09: Proceedings of the 9th Conference of the Australasian Society for …, 2010 | 17 | 2010 |
| Critical Review of Practicing Perfection, by Chaffin, Imreh, & Crawford A Geeves, W Christensen, J Sutton, D McIlwain Empirical Musicology Review 3 (3), 163-172, 2008 | 16* | 2008 |
| Expanding expertise: investigating a musician’s experience of music performance A Geeves, D Mcllwain, J Sutton, W Christensen | 7 | 2010 |
| Between the crowd and the band: Performance experience, creative practice, and wellbeing for professional touring musicians A Geeves, S Jones, J Davidson, J Sutton International Journal of Wellbeing 10 (5), 2020 | 4 | 2020 |
| That blissful feeling: Phenomenological conceptions of music performance from one performer’s perspective A Geeves, D McIlwain Proceedings of the international symposium on performance science, 415-420, 2009 | 4 | 2009 |
| Seeing yellow: A grounded theory of the experience of music performance for the professional musician AM Geeves Macquarie University, 2012 | 2 | 2012 |
| Embodying thought in skilful action J Sutton, D McIlwain, W Christensen, A Geeves Thinking in the World: A Reader, 79, 2019 | 1 | 2019 |
| Investigating the reciprocity between body and performance for a professional musician A Geeves, D McIlwain Proceedings of the 2nd International Conference on Music Communication …, 2009 | 1 | 2009 |
| Review of Someone Saved My Life Today: Collected Papers on Psychoanalysis, Literature and Philosophy of Paul Schimmel. A Geeves Educational Publishing Foundation, 2024 | | 2024 |
| Movement and music performance A Geeves, J Sutton The science and psychology of music: from Beethoven at the office to Beyoncé …, 2021 | | 2021 |
| Movement and musical performance A Geeves, J Sutton The Science and Psychology of Music: From Mozart at the Office to Metallica …, 2021 | | 2021 |
| Critical review of Stephen Grosz's 'The Examined Life', A Geeves Language and Psychoanalysis 4 (2), 64-71, 2015 | | 2015 |
| Musical meme A Geeves Music in the social and behavioural sciences: An encyclopaedia., 791-793, 2014 | | 2014 |
John SuttonLeverhulme International Professor, Centre for Sciences of Place and Memory, University of Stirlingبريد إلكتروني تم التحقق منه على stir.ac.uk