| Open up the doors: Music in the modern church M Evans Equinox, 2006 | 149 | 2006 |
| The new music industries: Disruption and discovery D Hughes, M Evans, G Morrow, S Keith Springer, 2016 | 109 | 2016 |
| Off the planet: music, sound and science fiction cinema R Leydon, S Hosokawa, N Zuberi, N Lerner, R Coyle, P Théberge, ... Indiana University Press, 2004 | 89 | 2004 |
| 'What Constitutes Artist Success in the Australian Music Industries?' M Evans International Journal of Music Business Research (IJMBR), 2013 | 46 | 2013 |
| Hillsong Abroad: Tracing the Songlines of Contemporary Pentecostal Music M Evans The spirit of praise: music and worship in global Pentecostal-Charismatic …, 2015 | 32 | 2015 |
| The future foreign correspondent S Bebawi, M Evans Springer, 2019 | 26 | 2019 |
| YouTube: A new mediator of Christian community D Thornton, M Evans Congregational music-making and community in a mediated age, 141-159, 2016 | 26 | 2016 |
| Creating the Hillsong Sound: How One Church Changed Australian Christian Music M Evans The Hillsong Movement Examined: You call me out upon the waters, 63-81, 2017 | 23 | 2017 |
| Regulating the emergent: cyberporn and the traditional media M Evans, CM Butkus Media International Australia 85 (1), 62-69, 1997 | 18 | 1997 |
| 'QUALITY'CRITICISM: Music Reviewing in Australian Rock Magazines M Evans Perfect Beat 3 (4), 38-50, 1998 | 15 | 1998 |
| Offline and online: Liveness in the Australian music industries S Keith, D Hughes, D Crowdy, G Morrow, M Evans The State of the music industry, 221-241, 2014 | 14 | 2014 |
| Improvisation and reciprocal design: Soundplay for dementia G Kenning, A Ilsar, R Brankaert, M Evans Dementia Lab Conference, 82-91, 2019 | 13 | 2019 |
| Secularising the sacred: The impact of Geoff Bullock and Hillsong Church on contemporary congregational song in Sydney, 1990-1999 M Evans Macquarie University (Division of Humanities, Department of Contemporary …, 2002 | 12 | 2002 |
| Sounding Funny: Sound and Comedy Cinema M Evans, P Hayward Equinox Publishing, 2016 | 10 | 2016 |
| Rhythms of evil: Exorcizing sound from The Exorcist M Evans Terror tracks: music, sound and horror cinema, 112-124, 2009 | 9 | 2009 |
| Sounding funny: The importance of hearing the joke E Giuffre, M Evans Sounding Funny Sound and Comedy Cinema, 2016 | 8 | 2016 |
| Music education and the contemporary, multi-industry landscape D Hughes, S Keith, G Morrow, M Evans, D Crowdy Redefining the musical landscape: Inspired learning and innovation in music …, 2013 | 7 | 2013 |
| Biomarkers to assess the risk of bladder cancer in patients presenting with haematuria are gender-specific B Duggan, D O’Rourke, N Anderson, CN Reid, J Watt, H O’Kane, R Boyd, ... Frontiers in Oncology 12, 1009014, 2022 | 6 | 2022 |
| Movies, Moves and Music: The Sonic World of Dance Films M Evans, M Fogarty Equinox Publishing, 2016 | 6 | 2016 |
| A “duty of care” and the professional musician/artist D Hughes, M Evans, S Keith, G Morrow RELEVANCE AND REFORM IN THE EDUCATION OF PROFESSIONAL MUSICIANS, 31, 2014 | 5 | 2014 |
Diane HughesMacquarie UniversityE-mailová adresa ověřena na: mq.edu.au
