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Sofia Dahl
Sofia Dahl
Associate Professor in Music perception and Cognition, Aalborg University
Verificeret mail på create.aau.dk
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Citeret af
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År
Visual perception of expressiveness in musicians' body movements
S Dahl, A Friberg
Music Perception 24 (5), 433-454, 2007
4942007
Gestures in performance
S Dahl, F Bevilacqua, R Bresin
musical Gestures, 48-80, 2010
1492010
Multisensory integration of drumming actions: musical expertise affects perceived audiovisual asynchrony
K Petrini, S Dahl, D Rocchesso, CH Waadeland, F Avanzini, A Puce, ...
Experimental brain research 198, 339-352, 2009
1312009
Playing the accent-comparing striking velocity and timing in an ostinato rhythm performed by four drummers
S Dahl
Acta Acustica united with Acustica 90 (4), 762-776, 2004
1292004
The playing of an accent–preliminary observations from temporal and kinematic analysis of percussionists
S Dahl
Journal of New Music Research 29 (3), 225-233, 2000
962000
Action expertise reduces brain activity for audiovisual matching actions: an fMRI study with expert drummers
K Petrini, FE Pollick, S Dahl, P McAleer, L McKay, D Rocchesso, ...
Neuroimage 56 (3), 1480-1492, 2011
892011
Expressiveness of musician’s body movements in performances on marimba
S Dahl, A Friberg
International Gesture Workshop, 479-486, 2003
792003
Striking movements: A survey of motion analysis of percussionists
S Dahl
Acoustical science and technology 32 (5), 168-173, 2011
532011
On the beat: Human movement and timing in the production and perception of music
S Dahl
KTH, 2005
522005
Characterizing movement fluency in musical performance: Toward a generic measure for technology enhanced learning
V Gonzalez-Sanchez, S Dahl, JL Hatfield, RI Godøy
Frontiers in psychology 10, 84, 2019
482019
Movements and analysis of drumming
S Dahl
Oxford University Press, 2012
472012
Preferred dance tempo: does sex or body morphology influence how we groove?
S Dahl, D Huron, G Brod, E Altenmüller
Journal of New Music Research 43 (2), 214-223, 2014
432014
Is the player more influenced by the auditory than the tactile feedback from the instrument
S Dahl, R Bresin
Proceedings of the Digital Audio Effects Conference (DAFx), 6-9, 2001
372001
Motor control in drumming: Influence of movement pattern on contact force and sound characteristics
S Dahl, E Altenmuller
Journal of the Acoustical Society of America 123 (5), 3122, 2008
362008
Facial expression and vocal pitch height: Evidence of an intermodal association.
D Huron, S Dahl, R Johnson
Empirical Musicology Review 4 (3), 93-100, 2009
332009
Experiments on gestures: walking, running, and hitting
R Bresin, S Dahl
The sounding object, 111-136, 2003
302003
Ghost in the Cave–an interactive collaborative game using non-verbal communication
ML Rinman, A Friberg, B Bendiksen, D Cirotteau, S Dahl, I Kjellmo, ...
International Gesture Workshop, 549-556, 2003
262003
A technical framework for musical biofeedback in stroke rehabilitation
P Kantan, EG Spaich, S Dahl
IEEE Transactions on Human-Machine Systems 52 (2), 220-231, 2022
232022
Spectral changes in the tom-tom related to striking force
S Dahl
Royal Institute of Technology, Department of Speech, Music and Hearing, 1996
231996
What can the body movements reveal about a musician’s emotional intention?
S Dahl, A Friberg
SMAC 03, Stockholm Music Acoustics Conference 2, 599-602, 2003
192003
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Artikler 1–20