Roberto Bresin

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Anders FribergKTH Royal Institute of TechnologyVerificeret mail på kth.se
Gaël DubusKTH Royal Institute of Technology, IRCAMVerificeret mail på ircam.fr
Emma FridPostdoc at IRCAM / KTHVerificeret mail på kth.se
Patrik N. JuslinProfessor of Psychology, Uppsala UniversityVerificeret mail på psyk.uu.se
Giovanni De PoliFull Professor of Computer Engineering, University of PadovaVerificeret mail på dei.unipd.it
Ludvig ElblausKMH Royal College of Music, StockholmVerificeret mail på ludvigelblaus.com
Werner GoeblProfessor, Head of Department of Music Acoustics, mdw – University of Music and Performing ArtsVerificeret mail på mdw.ac.at
Sofia DahlAssociate Professor in Music perception and Cognition, Aalborg UniversityVerificeret mail på create.aau.dk
Davide RocchessoProfessor. Università degli Studi di MilanoVerificeret mail på unimi.it
Bruno L. GiordanoCNRS - Institut de Neurosciences de la Timone (INT)Verificeret mail på univ-amu.fr
Dr Sandra PaulettoAssociate Professor at KTH Royal Institute of Technology, SwedenVerificeret mail på kth.se
Yon VisellUniversity of California, Santa BarbaraVerificeret mail på ece.ucsb.edu
Antonio CamurriProfessor, University of Genoa, ItalyVerificeret mail på unige.it
Federico FontanaAssociate Professor, University of Udine - ItalyVerificeret mail på uniud.it
Thomas HermannSenior Lecturer, Bielefeld UniversityVerificeret mail på techfak.uni-bielefeld.de
Patrick SusiniSTMS (Ircam, CNRS, SU)Verificeret mail på ircam.fr
Adrian B. LatupeirissaKTH Royal Institute of Technology, SwedenVerificeret mail på kth.se
Stefania SerafinAalborg UniversityVerificeret mail på create.aau.dk
Gualtiero VolpeDIBRIS - University of GenovaVerificeret mail på unige.it
Maurizio ManciniSapienza University of RomeVerificeret mail på di.uniroma1.it

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Roberto Bresin

Professor of Media Technology, KTH Royal Institute of technology

Verificeret mail på kth.se - Startside

Sound and music computing Music and Emotions Sonic Interaction Design Sonification Music Performance


Titel Sortér efter henvisninger Sortér efter årstal Sortér efter titel	Citeret af Citeret af	År
A dimensional approach to vocal expression of emotion P Laukka, P Juslin, R Bresin Cognition & Emotion 19 (5), 633-653, 2005	386	2005
Overview of the KTH rule system for musical performance A Friberg, R Bresin, J Sundberg Advances in Cognitive Psychology 2 (2-3), 145-161, 2006	369	2006
A Systematic Review of Mapping Strategies for the Sonification of Physical Quantities (vol 8, e82491, 2013) G Dubus, R Bresin PLOS ONE 9 (4), 2013	345*	2013
“Expressivity comes from within your soul”: A questionnaire study of music students' perspectives on expressivity E Lindström, PN Juslin, R Bresin, A Williamon Research Studies in Music Education 20 (1), 23-47, 2003	286	2003
Emotional coloring of computer-controlled music performances R Bresin, A Friberg Computer Music Journal 24 (4), 44-63, 2000	275	2000
Toward a computational model of expression in music performance: The GERM model PN Juslin, A Friberg, R Bresin Musicae scientiae 5 (1_suppl), 63-122, 2001	225	2001
Emotional expression in music: contribution, linearity, and additivity of primary musical cues T Eerola, A Friberg, R Bresin Frontiers in psychology 4, 487, 2013	195	2013
Emotion rendering in music: range and characteristic values of seven musical variables R Bresin, A Friberg cortex 47 (9), 1068-1081, 2011	167	2011
Gestures in performance S Dahl, F Bevilacqua, R Bresin, M Clayton, L Leante, I Poggi, ... Musical gestures: Sound, movement, and meaning, 36-68, 2009	149	2009
Sounding objects D Rocchesso, R Bresin, M Fernstrom IEEE MultiMedia 10 (2), 42-52, 2003	137	2003
Articulation Strategies in Expressive Piano Performance Analysis of Legato, Staccato, and Repeated Notes in Performances of the Andante Movement of Mozart’s Sonata in G Major … R Bresin, GU Battel Journal of New Music Research 29 (3), 211-224, 2000	130	2000
Is the player more influenced by the auditory than the tactile feedback from the instrument S Dahl, R Bresin Proc. of the COST-G6 Workshop on Digital Audio Effects (DAFx-01), Limerick …, 2001	127*	2001
Affective diary: designing for bodily expressiveness and self-reflection M Lindström, A Ståhl, K Höök, P Sundström, J Laaksolathi, M Combetto, ... CHI'06 extended abstracts on Human factors in computing systems, 1037-1042, 2006	119	2006
Artificial neural networks based models for automatic performance of musical scores R Bresin Journal of New Music Research 27 (3), 239-270, 1998	118	1998
Sound design and perception in walking interactions Y Visell, F Fontana, BL Giordano, R Nordahl, S Serafin, R Bresin International Journal of Human-Computer Studies 67 (11), 947-959, 2009	114	2009
What is the color of that music performance? R Bresin ICMC, 2005	97	2005
Sonic interaction design: sound, information and experience D Rocchesso, S Serafin, F Behrendt, N Bernardini, R Bresin, G Eckel, ... CHI'08 Extended Abstracts on Human Factors in Computing Systems, 3969-3972, 2008	93	2008
Articulation Rules For Automatic Music Performance. R Bresin ICMC, 2001	89	2001
‘Sense’in Expressive Music Performance: Data Acquisition, Computational Studies, and Models W Goebl, S Dixon, G De Poli, A Friberg, R Bresin, G Widmer Cirotteau, Damien (Ed.): Sound to Sense, Sense to Sound: A State-of-the-Art …, 2008	87	2008
Musical punctuation on the microlevel: Automatic identification and performance of small melodic units A Friberg, R Bresin, L Frydén, J Sundberg Journal of New Music Research 27 (3), 271-292, 1998	83	1998

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