| Musical agents: A typology and state of the art towards musical metacreation K Tatar, P Pasquier Journal of New Music Research 48 (1), 56-105, 2019 | 107 | 2019 |
| Attending to breath: exploring how the cues in a virtual environment guide the attention to breath and shape the quality of experience to support mindfulness M Prpa, K Tatar, J Françoise, B Riecke, T Schiphorst, P Pasquier Proceedings of the 2018 designing interactive systems conference, 71-84, 2018 | 84 | 2018 |
| MASOM: A Musical Agent Architecture based on Self-Organizing Maps, Affective Computing, and Variable Markov Models. K Tatar, P Pasquier 5th International Workshop on Musical Metacreation (MuMe 2017), 2017 | 38 | 2017 |
| Latent timbre synthesis: Audio-based variational auto-encoders for music composition and sound design applications K Tatar, D Bisig, P Pasquier Neural Computing and Applications 33, 67-84, 2021 | 36 | 2021 |
| RANKING-BASED EMOTION RECOGNITION FOR EXPERIMENTAL MUSIC J Fan, K Tatar, M Thorogood, P Pasquier The 18th International Society for Music Information Retrieval Conference, 2017 | 32 | 2017 |
| Automatic Synthesizer Preset Generation with PresetGen K Tatar, M Macret, P Pasquier Journal of New Music Research 45 (2), 124-144, 2016 | 26 | 2016 |
| REVIVE: An audio-visual performance with musical and visual AI agents K Tatar, P Pasquier, R Siu Extended abstracts of the 2018 CHI conference on human factors in computing …, 2018 | 17 | 2018 |
| Respire: a breath away from the experience in virtual environment M Prpa, T Schiphorst, K Tatar, P Pasquier Extended Abstracts of the 2018 CHI Conference on Human Factors in Computing …, 2018 | 15 | 2018 |
| The Pulse Breath Water System: Exploring Breathing as an Embodied Interaction for Enhancing the Affective Potential of Virtual Reality M Prpa, K Tatar, B Riecke, P Pasquier Virtual, Augmented and Mixed Reality, 9th International Conference, VAMR …, 2017 | 12 | 2017 |
| A Shift in Artistic Practices through Artificial Intelligence K Tatar, P Ericson, K Cotton, PTN Del Prado, R Batlle-Roca, ... Leonardo 57 (3), 293-297, 2024 | 9 | 2024 |
| Respire: virtual reality art with musical agent guided by respiratory interaction K Tatar, M Prpa, P Pasquier Leonardo Music Journal 29, 19-24, 2019 | 8 | 2019 |
| Sound Design Strategies for Latent Audio Space Explorations Using Deep Learning Architectures K Tatar, K Cotton, D Bisig Sound and Music Computing 2023, 2023 | 4 | 2023 |
| Audio-based Musical Artificial Intelligence and Audio-Reactive Visual Agents in Revive K Tatar, P Pasquier, R Siu Simon Fraser University, 2019 | 4 | 2019 |
| Social drones for health and well-being M Obaid, K Tatar, M Wiberg, A Said, M Rost, A Weilenmann, W Johal, ... Adjunct proceedings of the 2022 nordic human-computer interaction conference …, 2022 | 3 | 2022 |
| Bottom-up live coding: Analysis of continuous interactions towards predicting programming behaviours G Diapoulis, I Zannos, K Tatar, P Dahlstedt NIME 2022, 2022 | 3 | 2022 |
| Raw Music from Free Movements: Early Experiments in Using Machine Learning to Create Raw Audio from Dance Movements D Bisig, K Tatar AI Music Creativity Conference 2021, 2021 | 3 | 2021 |
| QUANTITATIVE ANALYSIS OF THE IMPACT OF MIXING ON PERCEIVED EMOTION OF SOUND-SCAPE RECORDINGS J Fan, M Thorogood, K Tatar, P Pasquier Proceedings of the 15th sound and music computing, Limassol, Cyprus, 2018 | 3 | 2018 |
| instance: Soma-based multi-user interaction design for the telematic sonic arts L Strauss, K Tatar, S Nuro Organised Sound 26 (3), 390-402, 2021 | 2 | 2021 |
| Chatterbox: an interactive system of gibberish agents R Boerson, A Liu-Rosenbaum, K Tatar, P Pasquier International Symposium of Electronic Arts 2020, 2020 | 2 | 2020 |
| Musical agents based on self-organizing maps for audio applications K Tatar Simon Fraser University, 2019 | 2 | 2019 |
Mirjana PrpaAssistant Professor, Northeastern University, Khoury College of Computer SciencesBestätigte E-Mail-Adresse bei northeastern.edu