| ICON: an Ontology for Comprehensive Artistic Interpretations B Sartini, S Baroncini, M van Erp, F Tomasi, A Gangemi ACM Journal on Computing and Cultural Heritage, 2023 | 20 | 2023 |
| Is dc: subject enough? A landscape on iconography and iconology statements of knowledge graphs in the semantic web S Baroncini, B Sartini, M Van Erp, F Tomasi, A Gangemi Journal of Documentation 79 (7), 115-136, 2023 | 16 | 2023 |
| Modelling Art Interpretation and Meaning. A Data Model for Describing Iconology and Iconography S Baroncini, M Daquino, F Tomasi arXiv preprint arXiv:2106.12967, 2021 | 9 | 2021 |
| A comparative study of simple and complex art interpretations in linked open data using icon ontology B Sartini, S Baroncini Proceedings of the International Workshop on Semantic Web and Ontology …, 2023 | 8 | 2023 |
| Exploring iconographical and iconological content in semantic data through art historians’ interpretations S Baroncini, M Daquino, F Tomasi La memoria digitale. Forme del testo e organizzazione della conoscenza. Atti …, 2023 | 6 | 2023 |
| Semantic Data Retrieval and Integration for Supporting Artworks Interpretation Through Integrative Narrative Networks S Baroncini, L Steels, R van Trijp | 4 | 2023 |
| Analysing the Evolution of Community-Driven (Sub-) Schemas within Wikidata S Baroncini, M Martorana, M Scrocca, Z Śmiech, A Polleres 3rd Wikidata Workshop, Wikidata 2022, 1-8, 2022 | 3 | 2022 |
| Are domain-specific theoretical approaches valuable for the application of new computational methods? The case study of Erwin Panofsky's artworks interpretations and the … S Baroncini, M Daquino, F Tomasi Digitale Methoden in der geschichtswissenschaftlichen Praxis: Fachliche …, 2023 | 2 | 2023 |
| collegArti 1/2019 S Costa, AL Carpi Dipartimento delle Arti, 2019 | | 2019 |
