| Screen production enquiry: A study of five Australian doctorates S Kerrigan, L Berkeley, S Maher, M Sergi, A Wotherspoon Studies in Australasian Cinema 9 (2), 93-109, 2015 | 25 | 2015 |
| The internationalisation of Australian film and television through the 1990s S Maher Australian Film Commission, 2004 | 23 | 2004 |
| Core competencies for Australian pharmacists when supplying prescribed opioids: a modified Delphi study E Maher, S Nielsen, R Summers, P Wood International journal of clinical pharmacy 43, 430-438, 2021 | 15 | 2021 |
| Innovation in true crime: generic transformation in documentary series S Maher, S Cake Studies in Australasian Cinema 17 (1-2), 95-109, 2023 | 8 | 2023 |
| Noir and the urban imaginary SW Maher Queensland University of Technology, 2010 | 8 | 2010 |
| Co-creative practice reconciling theory and practice in tertiary student documentary production F Wright-Brough, P Hart, S Maher, S Cake Media Practice and Education 24 (1), 52-69, 2023 | 6 | 2023 |
| Australian feature films and distribution: industry or cottage industry? S Maher, J Silver, S Kerrigan Studies in Australasian Cinema 10 (1), 114-128, 2016 | 6 | 2016 |
| Policy measures for creating an integrated and brand-focused innovation system for film industries in shadow nations: an application to Australia’s national film industry S Maher, A Brambini, J Vang International Journal of Business and Globalisation 10 (2), 137-156, 2013 | 6 | 2013 |
| Noirscapes: Using the screen to rewrite Los Angeles noir as urban historiography S Maher, S Kerrigan Journal of Writing in Creative Practice 9 (1-2), 87-104, 2016 | 3 | 2016 |
| Education paths for documentary distribution: DAF, ATOM and the study guides that bind them R Elkington, S Maher Studies in Australasian Cinema 9 (1), 77-88, 2015 | 3 | 2015 |
| Deep fakes: Seeing and not believing S Maher Deep Fakes, 1-22, 2022 | 2 | 2022 |
| Emergence of film industries in small countries: on the needs for an integrated cluster and branding strategy J Vang, S Maher, A Brambini World Review of Entrepreneurship, Management and Sustainable Development 14 …, 2018 | 2 | 2018 |
| Re-thinking ancillary: Australian screen content in education S Maher, R Elkington Studies in Australasian Cinema 9 (2), 152-170, 2015 | 2 | 2015 |
| The Brisbane Line S Maher The Brisbane Line, 2011 | 2 | 2011 |
| Equal DB Starrs, SW Maher M/C Journal 11 (2), 2008 | 2 | 2008 |
| Film noir and Los Angeles: urban history and the dark imaginary SW Maher Routledge, 2020 | 1 | 2020 |
| Digital disruption and innovation in distribution: Opportunities for research-based filmmaking in the new global screen ecology S Maher, S Kerrigan The Palgrave handbook of screen production, 347-362, 2019 | 1 | 2019 |
| The Australian Screen Production PhD S Kerrigan, L Berkeley, S Maher, M Sergi, A Wotherspoon | 1 | 2014 |
| Brisbane: creative city, cinema city? SW Maher Creativity from a Global Perspective, 2010 | 1 | 2010 |
| Internationalisation of Australian Film and Television S Maher paper, Communications Law Centre, Melbourne, 61-71, 2001 | 1 | 2001 |
