| Spatially oriented format for acoustics 2.1: Introduction and recent advances P Majdak, F Brinkmann, J De Muynke, M Mihocic, M Noisternig Journal of the Audio Engineering Society 70, 565-584, 2022 | 27 | 2022 |
| Ears of the past, an inquiry into the sonic memory of the acoustics of Notre-Dame before the fire of 2019 J De Muynke, M Baltazar, M Monferran, C Voisenat, BFG Katz Journal of Cultural Heritage 65, 169-176, 2024 | 15 | 2024 |
| Ambisonics directional room impulse response as a new convention of the spatially oriented format for acoustics A Pérez-López, J De Muynke Audio Engineering Society Convention 144, 2018 | 15 | 2018 |
| One-piece active acoustic loudspeaker enclosure configurable to be used alone or as a pair, with reinforcement of the stero image J De Muynke, B Pochon, T Dromer US Patent App. 13/960,664, 2014 | 15 | 2014 |
| Method and a system for reconstituting low frequencies in audio signal J De Muynke, B Pochon, G Pinto US Patent 8,213,636, 2012 | 12 | 2012 |
| Preliminary report on the effect of room acoustics on choral performance in Notre-Dame and its pre-Gothic predecessor S Mullins, V Le Page, J De Muynke, E Canfield-Dafilou, F Billiet, BFG Katz Acoustical Society of America 181 st Meeting 150 (4), A258-A258, 2021 | 7 | 2021 |
| Notre-Dame Whispers: A geolocated immersive walk through the sonic memory of Notre-Dame de Paris Cathedral S Peichert, J De Muynke, BFG Katz Résonances Gothiques, 105-128, 2023 | 3 | 2023 |
| Preliminary analysis of vocal ensemble performances in real-time historical auralizations of the Palais des Papes J De Muynke, N Eley, J Ferrando, BFG Katz 2nd Symposium: The Acoustics of Ancient Theatres, 1-4, 2022 | 3 | 2022 |
| Interpretation of a Medieval Vocal Repertoire in the Reconstructed Acoustics of the Great Chapel of the Palais des Papes J Ferrando, J De Muynke Historical Resonances, 151-175, 2024 | 2 | 2024 |
| Effect of Interpolation Artifacts on Perceived Stability of Nearby Sources in a Navigable Reverberant Virtual Environment J De Muynke, D Poirier-Quinot, BFG Katz Journal of the Audio Engineering Society 72 (10), 664-678, 2024 | 2 | 2024 |
| The Past Has Ears at Notre-Dame: Acoustic digital twins for research and narration BFG Katz, C Cros, S Peichert, J De Muynke Digital Applications in Archaeology and Cultural Heritage 34, e00369, 2024 | 2 | 2024 |
| Creating navigable auralisations using RIR convolution: Impact of grid density and panning method on perceived source stability J De Muynke, D Poirier-Quinot, BFG Katz AES 2023 International Conference on Spatial and Immersive Audio, 2023 | 1 | 2023 |
| A study on interpretation of medieval vocal repertoire through auralisation: an acoustic reconstruction of the Great Chapel of the Palais des Papes J De Muynke, J Ferrando, BFG Katz Sound Studies, 1-27, 2025 | | 2025 |
| The Past Has Ears at Notre-Dame: Immersive Audio Experiences for Public Engagement BFG Katz, M Pardoen, JM Lyzwa, S Peichert, C Cros, D Poirier-Quinot, ... AES 156th Convention, 2024 | | 2024 |
| Écouter Notre-Dame à travers les siècles. GT6: Acoustique/Paysages sonores M Pardoen, J De Muynke, M Guesney, C Cros, S Peichert, BFG Katz Naissance et renaissance d’une cathédrale, Notre-Dame sous l’œil des …, 2024 | | 2024 |
| HeSoAN: un projet archéoacoustique J Ferrando, J De Muynke, BFG Katz RÉSONANCES GOTHIQUES, 281-306, 2024 | | 2024 |
| Recent Advances in the Spatially Oriented Format for Acoustics (SOFA, AES69) M Mihocic, P Majdak, F Zotter, F Brinkmann, J De Muynke, M Noisternig | | 2023 |
| Convention e-Brief 448 A Pérez-López, J De Muynke | | |
| Tools for the production of spatial audio within BINCI André Kruh-Elendt1, André Fiebig1, Roland Sottek1, and Julien De Muynke2 A Kruh-Elendt, A Fiebig, R Sottek, J De Muynke | | |
