Mitchell Whitelaw

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Stephen BarrassSONIFICATION.COMVerified email at sonification.com
Geoff HinchcliffeSenior Lecturer in Design, Australian National UniversityVerified email at anu.edu.au
Jon McCormackMonash UniversityVerified email at monash.edu
Alan DorinMonash University, AustraliaVerified email at monash.edu
Sam HintonSenior Lecturer, University of CanberraVerified email at canberra.edu.au
Adrian MilesRMIT UniversityVerified email at rmit.edu.au
Axel BrunsAustralian Laureate Fellow and Professor, Digital Media Research Centre, Queensland University ofVerified email at qut.edu.au
John CampbellProfessor of Business Information Systems; Research School of Management; ANUVerified email at anu.edu.au
Mario Pérez-MontoroProfessor in the Faculty of Information and Audiovisual Media at University of BarcelonaVerified email at ub.edu
Ben Ennis-ButlerSenior Lecturer, University of CanberraVerified email at canberra.edu.au
Oliver BownAssociate Professor, UNSW Art & DesignVerified email at unsw.edu.au
Tom SchofieldCulture Lab, Newcastle UniversityVerified email at ncl.ac.uk
David KirkProfessor of Human-Centred Design, Newcastle UniversityVerified email at newcastle.ac.uk
Robert FitzgeraldUniversity of CanberraVerified email at canberra.edu.au
Lexing XieProfessor at Australian National UniversityVerified email at anu.edu.au
Minjeong ShinAustralian National UniversityVerified email at anu.edu.au
Sungahn KoUNIST (Ulsan National Institute of Science and Technology)Verified email at unist.ac.kr
Niklas ElmqvistVillum Investigator and Professor of Computer Science, Aarhus UniversityVerified email at cs.au.dk
Marian DörkResearch professor at FH Potsdam, co-director of UCLABVerified email at fh-potsdam.de
Thomas PloetzGeorgia Institute of TechnologyVerified email at gatech.edu

Mitchell Whitelaw

Professor in Design, Australian National University

Verified email at anu.edu.au - Homepage

Digital design and heritage data visualisation generative design


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Metacreation: art and artificial life M Whitelaw Mit Press, 2004	378	2004
Generous Interfaces for Digital Cultural Collections M Whitelaw Digital Humanities Quarterly 9 (1), 2015	314	2015
Ten questions concerning generative computer art J McCormack, O Bown, A Dorin, J McCabe, G Monro, M Whitelaw Leonardo 47 (2), 135-141, 2014	130	2014
A framework for understanding generative art A Dorin, J McCabe, J McCormack, G Monro, M Whitelaw Digital Creativity 23 (3-4), 239-259, 2012	96	2012
Art against information: Case studies in data practice M Whitelaw Fibreculture Journal 11, 1-12, 2008	70	2008
Towards generous interfaces for archival collections M Whitelaw Comma 2012 (2), 123-132, 2012	56	2012
Synesthesia and cross-modality in contemporary audiovisuals M Whitelaw The Senses and Society 3 (3), 259-276, 2008	56	2008
Playing games with reality: Only fish shall visit and interactive documentary M Whitelaw Assaig per al catàleg del documental Halfeti: Only fish shall visit, de …, 2002	50	2002
Digital learning communities (dlc): Investigating the application of social software to support networked learning R Fitzgerald, S Barass, A Bruns, J Campbell, S Hinton, A Miles, ... EdMedia+ Innovate Learning, 2805-2808, 2007	47	2007
How we draw texts: a review of approaches to text visualization and exploration J Nualart, M Pérez-Montoro, M Whitelan El Profesional de la Información, 2014, vol. 23, num. 3, p. 221-235, 2014	43*	2014
Exploring the digital commons: an approach to the visualisation of large heritage datasets S Hinton, M Whitelaw Electronic visualisation and the arts (EVA 2010), 2010	41	2010
System stories and model worlds: A critical approach to generative art M Whitelaw Readme 100, 135-154, 2005	34	2005
Roslingifier: Semi-automated storytelling for animated scatterplots M Shin, J Kim, Y Han, L Xie, M Whitelaw, BC Kwon, S Ko, N Elmqvist IEEE Transactions on Visualization and Computer Graphics 29 (6), 2980-2995, 2022	33	2022
Archival Liveness: Designing with Collections Before and During Cataloguing and Digitization TP Tom Schofield, David Kirk, Marian Dörk, Mitchell Whitelaw, Guy Schofield Digital Humanities Quarterly 9 (3), 2015	32*	2015
Visualising archival collections: The visible archive project M Whitelaw Archives and Manuscripts 37 (2), 22-40, 2009	31*	2009
Breeding aesthetic objects: Art and artificial evolution M Whitelaw Creative evolutionary systems, 129-III, 2002	30	2002
Listening to the mind listening: An analysis of sonification reviews, designs and Correspondences S Barrass, M Whitelaw, F Bailes Leonardo Music Journal 16, 13-19, 2006	28	2006
The mirage of real-time algorithmic synaesthesia: Some compositional mechanisms and research agendas in computer music and sonification RT Dean, M Whitelaw, H Smith, D Worrall Contemporary Music Review 25 (4), 311-326, 2006	28	2006
Sound particles and microsonic materialism M Whitelaw Contemporary music review 22 (4), 93-101, 2003	27	2003
Research through design and digital humanities in practice: What, how and who in an archive research project T Schofield, M Whitelaw, D Kirk Digital Scholarship in the Humanities 32 (suppl_1), i103-i120, 2017	23	2017

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