| The Impact of Algorithmically Driven Recommendation Systems on Music Consumption and Production: A Literature Review D Hesmondhalgh, R Campos Valverde, DBV Kaye, Z Li UK Centre for Data Ethics and Innovation Reports, 2023 | 24 | 2023 |
| Digital Platforms and Infrastructure in the Realm of Culture D Hesmondhalgh, R Campos Valverde, DBV Kaye, Z Li Media and Communication 11 (2), 2023 | 22 | 2023 |
| Online musicking for humanity: the role of imagined listening and the moral economies of music sharing on social media R Campos Valverde Popular Music 41 (2), 194-215, 2022 | 10 | 2022 |
| Understanding Musicking on Social Media: Music Sharing, Sociality and Citizenship R Campos Valverde London South Bank University, 2019 | 6 | 2019 |
| Spain and the Old Regime of Post-truth: Freedom of Speech, Ritualised Politics, and Postmemory on Social Media R Campos Valverde Ethnologia Europaea 53 (2), 2023 | 2 | 2023 |
| Musicking on Social Media: Imagined Audiences, Momentary Fans and Civic Agency in the Sharing Utopia R Campos https://www.iaspm.org.uk/iaspm/wp-content/uploads/2019/09 …, 2018 | 2 | 2018 |
| Critically Analyzing Platform Interfaces: How Music-Streaming Platforms Frame Musical Experience D Hesmondhalgh, R Campos Valverde, DBV Kaye, Z Li International Journal of Communication 18, 3257-3280, 2024 | | 2024 |
| It's Where you're @: Hip Hop and the Internet Editorial S Gamble, R Campos Valverde Global Hip Hop Studies 2 (1), 2021 | | 2021 |
| Nancy K. Baym Playing to the Crowd: Musicians, Audiences and the Intimate Work of Connection. New York: NYU Press, 2018. ix, 253 pp., list of figures, appendices, notes … R Campos Valverde Yearbook for Traditional Music 51, 277-278, 2019 | | 2019 |
| Machin-Autenrieth, Matthew. Flamenco, Regionalism and Musical Heritage in Southern Spain. SOAS Musicology Series. Abingdon and New York, Routledge, 2017. x, 186 pp., table of … R Campos Valverde Yearbook for Traditional Music 50, 2018 | | 2018 |
David HesmondhalghUniversity of LeedsVerified email at leeds.ac.uk
