| Dated photographs: The personal photo album as visual and textual medium A Näslund Photography and Culture 3 (2), 175-194, 2010 | 37 | 2010 |
| Travelling images: Looking across the borderlands of art, media and visual culture A Dahlgren Travelling images, 2018 | 21 | 2018 |
| Ett medium för visuell bildning: kulturhistoriska perspektiv på fotoalbum 1850-1950 A Dahlgren Makadam förlag, 2013 | 21 | 2013 |
| Cultures of digitization: a historiographic perspective on digital art history A Näslund, A Wasielewski Visual Resources 36 (4), 339-359, 2020 | 19 | 2020 |
| The digital U-turn in art history A Näslund, A Wasielewski Konsthistorisk tidskrift/Journal of Art History 90 (4), 249-266, 2021 | 16 | 2021 |
| Image metadata. From information management to interpretative practice A Näslund Museum Management and Curatorship 39 (4), 398-418, 2024 | 12 | 2024 |
| The art of Display A Näslund Konsthistorisk tidskrift/Journal of Art History 79 (3), 160-173, 2010 | 10 | 2010 |
| Crowdsourcing cultural heritage as democratic practice AN Dahlgren, K Hansson Participatory practices in art and cultural heritage: Learning through and …, 2022 | 9 | 2022 |
| The Diversity Paradox: Conflicting Demands on Metadata Production in Cultural Heritage Collections. A Dahlgren, K Hansson Digital Culture & Society 6 (2), 239-256, 2020 | 9 | 2020 |
| Fotografiska drömmar och digitala illusioner: bruket av bearbetade fotografier i svensk dagspress, reklam, propaganda och konst under 1990-talet A Dahlgren Östlings Bokförlag Symposion, 2005 | 9 | 2005 |
| Crowdsourcing historical photographs: autonomy and control at the Copenhagen City Archives K Hansson, AN Dahlgren Computer Supported Cooperative Work (CSCW) 31 (1), 1-32, 2022 | 8 | 2022 |
| What an image is: the ontological gap between researchers and information specialists A Dahlgren, K Hansson Art Documentation: Journal of the Art Libraries Society of North America 40 …, 2021 | 8 | 2021 |
| Introduction: The politics of metadata A Dahlgren, K Hansson, R Reichert, A Wasielewski Digital Culture & Society 6 (2), 5-16, 2020 | 7 | 2020 |
| Commercial realism: concepts on photography in advertising in the 1930s A Näslund Konsthistorisk tidskrift/Journal of Art History 76 (3), 135-146, 2007 | 7 | 2007 |
| Choice, Negotiation, and Pluralism: a Conceptual Framework for Participatory Technologies in Museum Collections K Hansson, AN Dahlgren Computer Supported Cooperative Work (CSCW) 31 (4), 603-631, 2022 | 6 | 2022 |
| Dräktbild, modebild, tidsbild A Dahlgren Nordiska museets förlag, 2010 | 6 | 2010 |
| Representational machines: photography and the production of space A Dahlgren, D Petersson, NL Vestberg Aarhus University Press, 2013 | 5 | 2013 |
| Seeing Images: Metadata and Mediation in the Digital Archive S Petersson, A Näslund Dahlgren Culture Unbound. Journal of Current Cultural Research 13 (2), 104-132, 2021 | 4 | 2021 |
| Datafication and cultural heritage: provocations, threats, and design opportunities K Hansson, T Cerratto Pargman, A Dahlgren European Conference on Computer-Supported Cooperative Work, Siegen, Germany …, 2020 | 4 | 2020 |
| The Diversity Paradox: Alignment and plurality in the visual heritage A Dahlgren, K Hansson Digital Culture & Society 6 (2), 239-256, 2020 | 3 | 2020 |