Marcus Pearce

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Peter M. C. HarrisonUniversity of CambridgeVerified email at cam.ac.uk
Daniel MüllensiefenProfessor, Department of Psychology, Goldsmiths, University of LondonVerified email at gold.ac.uk
Joy BhattacharyaProfessor, Department of Psychology, Goldsmiths University of LondonVerified email at gold.ac.uk
Peter VuustProfessor, Aarhus University & The Royal Academy of Music, AarhusVerified email at musikkons.dk
Niels Chr. HansenAssociate Professor, Royal Academy of Music AarhusVerified email at musikkons.dk
Elvira BratticoProfessor, Aarhus University & University of BariVerified email at clin.au.dk
Marcos NadalUniversity of the Balearic IslandsVerified email at uib.es
Simon DixonCentre for Digital Music, Queen Mary University of LondonVerified email at qmul.ac.uk
Yading SongQueen Mary University of LondonVerified email at qmul.ac.uk
Stephen McAdamsMcGill UniversityVerified email at mcgill.ca
Stefan KoelschInstitute for Biological and Medical Psychology, University of BergenVerified email at uib.no
Martin RohrmeierAssociate Professor of Digital Musicology, École Polytechnique Fédérale de LausanneVerified email at epfl.ch
Andreas HøjlundAssistant professor, Aarhus UniversityVerified email at cc.au.dk
Lauren StewartProfessor in School of Psychology, Roehampton UniversityVerified email at roehampton.ac.uk
David Ricardo Quiroga-MartinezUniversity of Copenhagen & UC BerkeleyVerified email at psy.ku.dk
Ana ClementeDepartment of Cognitive Neuropsychology, Max Planck Institute for Empirical AestheticsVerified email at ae.mpg.de
Andrea HalpernProfessor of Psychology, Bucknell UniversityVerified email at bucknell.edu
Vincent K.M. CheungSony Computer Science Laboratories (Sony CSL)Verified email at csl.sony.co.jp
Karl FristonUniversity College LondonVerified email at ucl.ac.uk
Roger T. DeanProfessor of Sonic Communication, Western Sydney University; Artistic Director, austraLYSISVerified email at westernsydney.edu.au

Marcus Pearce

Queen Mary University of London

Verified email at qmul.ac.uk - Homepage

Auditory Perception Cognitive Science Cognitive Neuroscience Computational Psychology Artificial Intelligence


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Neuroaesthetics: the cognitive neuroscience of aesthetic experience MT Pearce, DW Zaidel, O Vartanian, M Skov, H Leder, A Chatterjee, ... Perspectives in Psychological Science 11, 265-269, 2016	416	2016
The construction and evaluation of statistical models of melodic structure in music perception and composition MT Pearce City University of London, 2005	378	2005
Expectation in melody: The influence of context and learning MT Pearce, GA Wiggins Music Perception 23 (5), 377-405, 2006	372	2006
A survey of music recommendation systems and future perspectives Y Song, S Dixon, M Pearce 9th international symposium on computer music modeling and retrieval 4, 395-410, 2012	317	2012
The neuroaesthetics of music. E Brattico, M Pearce Psychology of Aesthetics, Creativity, and the Arts 7 (1), 48, 2013	302	2013
Unsupervised statistical learning underpins computational, behavioural, and neural manifestations of musical expectation MT Pearce, MH Ruiz, S Kapasi, GA Wiggins, J Bhattacharya NeuroImage 50 (1), 302-313, 2010	297	2010
Auditory expectation: the information dynamics of music perception and cognition MT Pearce, GA Wiggins Topics in cognitive science 4 (4), 625-652, 2012	287	2012
Uncertainty and surprise jointly predict musical pleasure and amygdala, hippocampus, and auditory cortex activity VKM Cheung, PMC Harrison, L Meyer, MT Pearce, JD Haynes, S Koelsch Current Biology 29 (23), 4084-4092. e4, 2019	261	2019
Brain responses in humans reveal ideal observer-like sensitivity to complex acoustic patterns N Barascud, MT Pearce, TD Griffiths, KJ Friston, M Chait Proceedings of the National Academy of Sciences 113, E616-E625, 2016	246	2016
Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music H Egermann, MT Pearce, GA Wiggins, S McAdams Cognitive, Affective, & Behavioral Neuroscience 13, 533-553, 2013	237	2013
Statistical learning and probabilistic prediction in music cognition: mechanisms of stylistic enculturation MT Pearce Annals of the New York Academy of Sciences 1423, 378-395, 2018	220	2018
Predictability and uncertainty in the pleasure of music: a reward for learning? BP Gold, MT Pearce, E Mas-Herrero, A Dagher, RJ Zatorre Journal of Neuroscience 39 (47), 9397-9409, 2019	185	2019
Predictive uncertainty in auditory sequence processing. NC Hansen, MT Pearce Frontiers in psychology 5, 1052, 2014	177	2014
Improved methods for statistical modelling of monophonic music M Pearce, G Wiggins Journal of New Music Research 33 (4), 367-385, 2004	175	2004
Evaluation of musical features for emotion classification. Y Song, S Dixon, MT Pearce ISMIR, 523-528, 2012	158	2012
The Copenhagen Neuroaesthetics conference: prospects and pitfalls for an emerging field M Nadal, MT Pearce Brain and cognition 76 (1), 172-183, 2011	154	2011
The role of expectation and probabilistic learning in auditory boundary perception: A model comparison MT Pearce, D Müllensiefen, GA Wiggins Perception 39 (10), 1367-1391, 2010	148	2010
Music cognition and the cognitive sciences M Pearce, M Rohrmeier Topics in cognitive science 4 (4), 468-484, 2012	140	2012
Motivations and methodologies for automation of the compositional process M Pearce, D Meredith, G Wiggins Musicae Scientiae 6 (2), 119-147, 2002	135	2002
Electrophysiological correlates of melodic processing in congenital amusia D Omigie, MT Pearce, VJ Williamson, L Stewart Neuropsychologia 51 (9), 1749-1762, 2013	127	2013

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