| The Justification of a Music City: Handbooks, Intermediaries and Value Disputes in a Global Policy Assemblage T Bennett City, Culture & Society, 2020 | 40 | 2020 |
| Learning the Music Business: Evaluating the ‘Vocational Turn’in Music Industry Education T Bennett London: UK Music, 2015 | 33 | 2015 |
| Towards ‘Embedded Non-creative Work’? Administration, digitisation and the recorded music industry T Bennett International Journal of Cultural Policy 26 (2), 223-238, 2020 | 23 | 2020 |
| “The Whole Feminist Taking-Your-Clothes-off Thing”: Negotiating the Critique of Gender Inequality in UK Music Industries T Bennett IASPM@ Journal 8 (1), 24-41, 2018 | 22 | 2018 |
| “Essential—Passion for Music”: Affirming, Critiquing, and Practising Passionate Work in Creative Industries T Bennett The Palgrave Handbook of Creativity at Work, 431-459, 2018 | 20 | 2018 |
| Re-Rewind: Heritage, Representation and Music City Aspiration in Southampton T Bennett Music Cities: Evaluating a Global Policy Concept, 19-42, 2020 | 10 | 2020 |
| Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out T Bennett Bloomsbury, 2024 | 3 | 2024 |
| From rag market to creative economy: interview with Angela McRobbie A McRobbie, T Bennett Journal of Cultural Economy 17 (5), 700-706, 2024 | 2 | 2024 |
| Data for the Cultural and Creative Sector production system: Part 1–Problems of statistical description AC Pratt, T Bennett Amsterdam, The Netherlands, 2022 | 2* | 2022 |
| Cultural revolutions: interview with Paul du Gay and Michael Pryke P Du Gay, M Pryke, T Bennett Journal of Cultural Economy 17 (5), 672-683, 2024 | 1 | 2024 |
| Production networks in the cultural and creative sector: case studies from the publishing industry A Karpińska, D Ilczuk, E Cholewicka, T Bennett, AC Pratt CICERONE Project, 2023 | 1 | 2023 |
| Data for the Cultural and Creative Sector production system: Part 2–Assembling disparate data resources, and preparations for reporting them AC Pratt, T Bennett CICERONE Project, 2022 | 1* | 2022 |
| Music and Sound at Work T Bennett Framing remarks for ‘Music and Sound at Work’stream at the London Conference …, 2015 | 1 | 2015 |
| What is Music Business Management? A Critical Conversation on Music, Knowledge and Power in the University S Gross, T Bennett The Palgrave Handbook of Critical Music Industry Studies, 2024 | | 2024 |
| Undoing cultural studies: cultural economy at the Open University (1979–1997) T Bennett Journal of Cultural Economy 17 (5), 641-662, 2024 | | 2024 |
| A poststructuralist who still believes in structures: interview with John Allen J Allen, T Bennett Journal of Cultural Economy 17 (5), 663-671, 2024 | | 2024 |
| The Music Industry Does Exist T Bennett The Palgrave Handbook of Critical Music Industry Studies, 2024 | | 2024 |
| A Post-Critical Theory of Cultural Production? A Review of the Frankfurt Book Fair and Bestseller Business T Bennett Journal of Cultural Analysis and Social Change 7 (1), 06, 2022 | | 2022 |
| The Workshop on Cultural Economy: 20 Years After T Bennett https://www.journalofculturaleconomy.org/twenty-years-after-the-workshop-on …, 2019 | | 2019 |
| The Production and Consumption of Music in the Digital Age T Bennett Popular Music and Society 40 (2), 2017 | | 2017 |
Andy C. PrattProfessor of cultural economy; City University LondonVerified email at city.ac.uk