| Building Indigenous Agency Through Web-Based Exhibition: Dane-Wajich-Dane-zaa Stories and Songs: Dreamers and the Land A Ridington, K Hennessy Proceedings of Museums and the Web, 2008, 2008 | 11 | 2008 |
| Continuity and Innovation in the Dane-zaa Dreamers’ Song and Dance Tradition: A Forty-Year Perspective A Ridington Aboriginal Music in Contemporary Canada: Echoes and Exchanges, 31-60, 2012 | 6 | 2012 |
| Ethnopoetic Translation in Relation to Audio, Video, and New Media Representations R Ridington, J Ridington, P Moore, K Hennessy, A Ridington Born in the Blood: On Native American Translation, 211-41, 2011 | 6 | 2011 |
| Performative Translation and Oral Curation A Ridington, R Ridington Born in the Blood: On Native American Translation, 138, 2011 | 3 | 2011 |
| Featured Interview: From Tea Dance to iTunes: Recomposing Dane-zaa Dreamers’ Songs. Aboriginal Music in Contemporary Canada: Echoes and Exchanges, 61-69, 2012 | | 2012 |
| Drawing on Identity: Inkameep Day School and Art Collection A RIDINGTON Museum Anthropology 29 (1), 73-75, 2006 | | 2006 |
| Preserving a Cultural Landscape Through Memory: The Quonset Auditorium Legacy A Ridington Kentucky Places and Spaces 2 (1), 9-26, 2006 | | 2006 |
| Fragile Treasures Linking Generation to Generation A Ridington Cultural Ties 1 (1), 1, 3, 2002 | | 2002 |
| At the Crossroads Commercial Music and Community Experience The Quonset Auditorium-A Roadhouse on the Dixie Highway A Ridington | | 2002 |
| LANDMARK REPORT A Ridington | | |
