| Akpos don come again: Nigerian cyberpop hero as trickster J Yékú Journal of African Cultural Studies 28 (3), 245-261, 2016 | 54 | 2016 |
| Cultural Netizenship: Social Media, Popular Culture, and Performance in Nigeria J Yékú Indiana University Press, 2022 | 41 | 2022 |
| ‘Thighs Fell Apart’: online fan fiction, and African writing in a digital age J Yékú Journal of African Cultural Studies 29 (3), 261-275, 2017 | 41 | 2017 |
| The Hashtag as archive: Internet memes and Nigeria’s social media election J Yeku Art, Creativity, and politics in Africa and the diaspora, 217-245, 2018 | 19 | 2018 |
| Deference to Paper: Textuality, Materiality, and Literary Digital Humanities in Africa J Yékú Digital Studies/Le champ numérique 10 (1), DOI: http://doi.org/10.16995/dscn.357, 2020 | 17 | 2020 |
| Chinua Achebe’s There was a Country and the digital publics of African literature J Yeku Digital Scholarship in the Humanities, 2019 | 9 | 2019 |
| Anti-Afropolitan ethics and the performative politics of online scambaiting J Yékú Social Dynamics: A journal of African studies, 2020 | 7 | 2020 |
| From Google Doodles to Facebook: Nostalgia and Visual Reconstructions of the Past in Nigeria J Yékú, A Ojebode African Studies Review, 1-25, 2021 | 6 | 2021 |
| Sọ̀rọ̀sókè: An# EndSARS Anthology J Verisssimo, J Yeku Noirledge Publishing, 2022 | 5 | 2022 |
| The racist myth of the 'physical' African football team J Yeku https://www.aljazeera.com/indepth/opinion/racist-myth-physical-african …, 2018 | 4 | 2018 |
| Politics and Performative Agency in Nigerian Social Media JT Yeku University of Saskatchewan, 2018 | 4 | 2018 |
| Digital African Literatures and the Coloniality of Data J Yékú Cambridge Journal of Postcolonial Literary Inquiry 9 (3), 381-398, 2022 | 3 | 2022 |
| Where the Baedeker Leads: A Poetic Journey J Yeku Mawenzi House Publishers, 2021 | 3 | 2021 |
| The Regeneration of Play: Popular Culture as Infrapolitics on Instagram J Yeku Youth and Popular Culture in Africa: Media, Music, and Politics, 163 -187, 2021 | 3 | 2021 |
| # endsars shows why the police is not ‘your friend’ J Yeku Africa at LSE, 2020 | 3 | 2020 |
| The Police Is Your Friend: Instagram Comedy and the Defamiliarization of the Postcolonial State J Yékú Routledge Handbook of African Popular Culture, 399-416, 2022 | 2 | 2022 |
| In Praise of Ostentation: Social Class in Lagos and the Aesthetics of Nollywood's Ówàḿbẹ̀ Genres J Yékú African Studies 80 (3-4), 434-450, 2021 | 2 | 2021 |
| Instagram comedy and the shadow of Nollywood J Yékú James Yékú. Retrieved from https://www. google. com/amp/s/jamesyeku. com …, 2021 | 2 | 2021 |
| Tricksters and female warriors: womanist interweavings from Oríta to Wakanda J Yékú Journal of the African Literature Association 15 (1), 107-124, 2020 | 2 | 2020 |
| Túndé Kèlání, Global Cinema and Philosophical Engagements A Afolayan, J Yékú Journal of African Cultural Studies 32 (4), 343-346, 2020 | 2 | 2020 |
Ayo OjebodeProfessor of Applied Communication, University of Ibadan, NigeriaVerified email at ui.edu.ng