| Popular Music Scenes and Cultural Memory A Bennett, I Rogers Springer, 2016 | 185 | 2016 |
| Popular Music and Materiality: Memorabilia and Memory Traces A Bennett, I Rogers Popular Music and Society 39 (1), 28-42, 2016 | 97 | 2016 |
| ‘You've got to go to gigs to get gigs’: Indie musicians, eclecticism and the Brisbane scene I Rogers Continuum: Journal of Media & Cultural Studies 22 (5), 639-649, 2008 | 82 | 2008 |
| Street music, technology and the urban soundscape A Bennett, I Rogers Continuum 28 (4), 454-464, 2014 | 51 | 2014 |
| In the scattered fields of memory: unofficial live music venues, intangible heritage, and the recreation of the musical past A Bennett, I Rogers Space and Culture 19 (4), 490-501, 2016 | 47 | 2016 |
| Aesthetic cosmopolitan, national and local popular music heritage in Melbourne’s music laneways C Strong, F Cannizzo, I Rogers International Journal of Heritage Studies 23 (2), 83-96, 2017 | 31 | 2017 |
| Fifteen years of ‘Utopia’: Napster and Pitchfork as technologies of democratization D Carter, I Rogers First Monday 19 (10), 2014 | 29 | 2014 |
| From the margins to the mainstream: Creating value in Queensland's music industry G Hearn, A Ninan, I Rogers, S Cunningham, S Luckman Media International Australia Incorporating Culture and Policy 112 (1), 101-114, 2004 | 21 | 2004 |
| The hobbyist majority and the mainstream fringe: the pathways of independent music-making in Brisbane, Australia S Baker, A Bennett, J Taylor Redefining mainstream popular music, 178-190, 2013 | 18 | 2013 |
| In search of ‘independent’Brisbane: Music, memory, and cultural heritage A Bennett, I Rogers Sounds and the City: Popular Music, Place, and Globalization, 302-316, 2014 | 17 | 2014 |
| Diminishing Dreams: The Scoping Down of the Music NFT I Rogers, D Carter, B Morgan, A Edgington M/C Journal 25 (2), 2022 | 14 | 2022 |
| She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s C Strong, I Rogers Journal of World Popular Music 3 (1), 38-53, 2016 | 12 | 2016 |
| “If There Isn’t Skyscrapers, Don’t Play There!” Rock Music Scenes, Regional Touring, and Music Policy in Australia I Rogers, S Whiting Popular Music and Society 43 (4), 450-460, 2020 | 11 | 2020 |
| Scene ‘Theory’: History, Usage and Influence A Bennett, I Rogers Popular Music Scenes and Cultural Memory, 11-35, 2016 | 11 | 2016 |
| Queensland music industry value web: From the margins to the mainstream IK Rogers, A Ninan, GN Hearn, SD Cunningham, SH Luckman CIRAC, Creative Industries Faculty, QUT, 2004 | 11 | 2004 |
| The Victorian Music Business Career Life Cycle C Strong, F Cannizzo, I Rogers Melbourne, Australia: RMIT University for the Victorian Music Development Office, 2020 | 9* | 2020 |
| ‘We’re Just Normal Dudes’: Hegemonic Masculinity, Australian Identity, and Parkway Drive S Whiting, P Klimentou, I Rogers Australian Metal Music: Identities, Scenes, and Cultures (Emerald Studies in …, 2019 | 9 | 2019 |
| Musicians and aspiration: Exploring the rock dream in independent music I Rogers | 8 | 2012 |
| The Making and Remaking of Brisbane and Hobart: Music Scenes in Australia’s “Second-Tier” Cities A Bennett, I Rogers Made in Australia and Aotearoa/New Zealand, 111-120, 2018 | 6 | 2018 |
| Digital work practices: where are the jobs, what are they, and how prepared are graduates? F Peterson, M Jollands, E McKay, P Pond, I Rogers, D Heath Final Report, June. Australian Technology Network of Universities. Retrieved …, 2018 | 6 | 2018 |
Andy BennettProfessor of Cultural Sociology, Griffith UniversityVerified email at griffith.edu.au