| Media studies: texts, production, context P Long Routledge, 2014 | 205 | 2014 |
| A labour of love: the affective archives of popular music culture P Long, S Baker, L Istvandity, J Collins Archives and Records 38 (1), 61-79, 2017 | 62 | 2017 |
| Voicing passion: The emotional economy of songwriting P Long, S Barber European Journal of Cultural Studies 18 (2), 142-157, 2015 | 41 | 2015 |
| ‘Fillin'in Any Blanks I Can': Online Archival Practice and Virtual Sites of Musical Memory J Collins, P Long Sites of popular music heritage, 81-96, 2014 | 40 | 2014 |
| Only in the common people: The aesthetics of class in post-war Britain P Long Cambridge Scholars Publishing, 2008 | 38 | 2008 |
| Mapping the soundscapes of popular music heritage P Long, J Collins Mapping cultures: place, practice, performance, 144-159, 2012 | 32 | 2012 |
| 'The mistakes of the past'? Visual narratives of urban decline and regeneration D Parker, P Long Visual Culture in Britain 5 (1), 2004 | 25 | 2004 |
| Conceptualizing Creativity and Strategy in the Work of Professional Songwriters P Long, S Barber Popular Music and Society 40 (5), 556-572, 2017 | 23 | 2017 |
| Constructing the histories of popular music: The Britannia series P Long, T Wall Popular Music and Television in Britain, 11-26, 2016 | 23 | 2016 |
| “Really Saying Something?” What Do We Talk About When We Talk About Popular Music Heritage, Memory, Archives and the Digital? P Long Preserving Popular Music Heritage, 62-76, 2015 | 22 | 2015 |
| The primary code: The meanings of John Peel, radio and popular music P Long Radio Journal: International Studies in Broadcast & Audio Media 4 (1-2), 25-48, 2007 | 22 | 2007 |
| Reimagining Birmingham: Public history, selective memory and the narration of urban change D Parker, P Long European Journal of Cultural Studies 6 (2), 157-178, 2003 | 22 | 2003 |
| ‘I will not leave, my freedom is more precious than my blood’. From affect to precarity: crowd-sourced citizen archives as memories of the Syrian war D Saber, P Long Archives and Records 38 (1), 80-99, 2017 | 21 | 2017 |
| Affective memories of music in online heritage practice P Long, J Collins Music, Memory and Space, 85-101, 2016 | 21 | 2016 |
| Jazz Britannia: mediating the story of British jazz on television T Wall, P Long Jazz Research Journal 3 (2), 145-170, 2009 | 21 | 2009 |
| British radio and the politics of culture in post-war Britain: the work of Charles Parker P Long Radio Journal: International Studies in Broadcast & Audio Media 2 (3), 131-152, 2004 | 20 | 2004 |
| The last post: British press representations of veterans of the Great War N Webber, P Long Media, War & Conflict 7 (3), 273-290, 2014 | 18 | 2014 |
| Tony Palmer's All You Need Is Love: television's first pop history P Long, T Wall The Music Documentary, 25-41, 2013 | 18 | 2013 |
| Representing race and place: Black Midlanders on television in the 1960s and 1970s P Long midland history 36 (2), 262-277, 2011 | 18 | 2011 |
| Cultural Intermediaries Connecting Communities P Jones, B Perry, P Long | 17 | 2019 |