| Movement, Time, Technology, and Art C Chau Springer, 2017 | 14 | 2017 |
| Kinetic Systems: Jack Burnham and Hans Haacke C Chau Contemporaneity: Historical Presence in Visual Culture 3, 62-76, 2014 | 11 | 2014 |
| Movement and Time in the Nexus between Technological Modes with Jean Tinguely’s Kineticism C Chau Arts 3 (4), 394-406, 2014 | 8 | 2014 |
| Systems Aesthetics: A Key Polemic in Contemporary Kinetic Art History C Chau Movement, Time, Technology, and Art, 57-73, 2017 | 2 | 2017 |
| Weaving in the Threads C Chau, S Croeser M/C Journal 26 (6), 2023 | 1 | 2023 |
| Three Key Influences of the Kinetic Aesthetic: Henri Bergson, László Moholy-Nagy and Naum Gabo C Chau Movement, Time, Technology, and Art, 97-120, 2017 | 1 | 2017 |
| Anxious Robots, Desiring Repression, Generating Profit. D Savat, C Chau Transformations (14443775), 2017 | 1 | 2017 |
| Anxious Robots, Desiring Repression, Generating Profit D Savat, C Chau Transformations, 52-68, 2017 | 1 | 2017 |
| Polemics of contemporary kinetic art history: duration, systems aesthetics and the virtual C Chau | 1 | 2014 |
| Exhibiting elemental truths in the Perth Festival: Polarity: Fire & Ice and Wetland C Chau Artlink Australia | Contemporary Art of Australia and Asia Pacific 44 (1), 2024 | | 2024 |
| Bio-engineered Living Entities in Art: Aliveness, Duration, and Movement in Bricolage GBA Ziggy O’Reilly, Christina Chau, Nathan Thompson Leonardo, 2023 | | 2023 |
| Bio-engineered Living Entities in Art: Aliveness, Duration, and Movement in Bricolage Z O’Reilly, C Chau, N Thompson, G Ben-Ary Leonardo, 1-15, 2023 | | 2023 |
| Salote Tawale ‘I Don't See Colour’ C Chau | | 2022 |
| IOTA21: Curiosity and Rituals of the Everyday C Chau | | 2022 |
| Mine, Yours, Theirs: What rights do artists have in relation to their work beyond its transfer to private and public collections? C Chau Art Collector, 78-79, 2022 | | 2022 |
| To the Monsters, We are the Monsters C Chau Perth Festival, 1-2, 2022 | | 2022 |
| Jasmine Tea C Chau | | 2021 |
| Tightness Times Toughness-Bruno Booth and the Fremantle Biennale C Chau The Review Board, 2021 | | 2021 |
| Time C Chau, L Glitsos M/C Journal 22 (6), 2019 | | 2019 |
| Remediating Destroyed Human Bodies: Contemporaneity and Habits of Online Visual Culture C Chau M/C Journal 20 (5), NA-NA, 2017 | | 2017 |