| New Nollywood: A sketch of Nollywood’s metropolitan new style C Ryan African Studies Review 58 (3), 55-76, 2015 | 69 | 2015 |
| Contemporary parking policy, practice, and outcomes in three large Australian cities A Kimpton, D Pojani, C Ryan, L Ouyang, N Sipe, J Corcoran Progress in Planning 153, 100506, 2021 | 23 | 2021 |
| Nollywood and the limits of informality: a conversation with Tunde Kelani, Bond Emeruwa, and Emem Isong C Ryan Black Camera: An International Film Journal (The New Series) 5 (2), 168-185, 2014 | 21 | 2014 |
| Regimes of waste: aesthetics, politics, and waste from Kofi Awoonor and Ayi Kwei Armah to Chimamanda Adichie and Zeze Gamboa C Ryan Research in African literatures 44 (4), 51-68, 2013 | 21 | 2013 |
| Defining Diaspora in the Words of Women Writers: A Feminist Reading of Chimamanda Adichie's The Thing Around Your Neck and Dionne Brand's At the Full and Change of the Moon C Ryan Callaloo 37 (5), 1230-1244, 2014 | 15 | 2014 |
| Emerging talents: Nollywood and the future of African Cinema V Okhai BOB TV 5th African Film and Television Programmes Expo on March 11, 2008, 2008 | 8 | 2008 |
| Lagos Never Spoils: Nollywood and Nigerian City Life C Ryan University of Michigan Press, 2023 | 4 | 2023 |
| African Metropolis: Six Stories from African Cities. 2013. 92 minutes. In Arabic, English, French, Kiswahili, Nouchi, Pidgin English, and Yoruba, with English subtitles. Goethe … C Ryan African Studies Review 59 (3), 322-324, 2016 | 4 | 2016 |
| YORUBA VIDEO COMEDIES: YOU DON’T KNOW LAGOS-Femi Adebayo. Jelili. Parts 1 and 2. 2012. Nigeria. In Yoruba with English subtitles. Epsalum Productions. 272 mins. No price … C Ryan African Studies Review 56 (1), 215-219, 2013 | 4 | 2013 |
| Dark and gritty/slick and glossy: Genre, Nollywood and Lagos C Ryan Journal of African Cinemas 11 (3), 295-313, 2019 | 3 | 2019 |
| Critical Approaches to African Cinema Discourse ed. by Nwachukwu Frank Ukadike C Ryan Cinema Journal 54 (2), 167-171, 2015 | 3 | 2015 |
| Lagos Never Spoils: The Aesthetics, Affect, and Politics of the City in Nigerian Screen Media CON Ryan Michigan State University. English-Doctor of Philosophy, 2015 | 2 | 2015 |
| Diversity Within Yoruba-Language Video Films C Ryan African Studies Review 55 (2), 180-185, 2012 | 2 | 2012 |
| The Literary Circulation of Teju Cole’s Every Day Is for the Thief C Ryan African Migration Narratives. Politics, Race and Space, 173-88, 2018 | 1 | 2018 |
| Revisiting the notion of political black cinema: A comparative analysis of Melvin Van Peebles and Ousmane Sembene C Ryan Journal of African Cinemas 5 (1), 85-97, 2013 | 1 | 2013 |
| Our Reach Stops where the World Stops (Lagos) V Okhai Faith is the Place, 244-253, 2012 | 1 | 2012 |
| Ensemble of Experts: Relentless as' Nigerian Noir' C Ryan Transnational Crime Cinema, 2022 | | 2022 |
| A Conversation with Storm Saulter C Ryan Black Camera 11 (1), 265-280, 2019 | | 2019 |
| Daniel Emeke Oriahi. Taxi Driver (Oko Ashewo). 2015. 94 mins. In English, Pidgin English, and Yoruba, with English subtitles. FilmOne/House5. Available on iROKOtv. com. C Ryan African Studies Review 61 (1), 284-286, 2018 | | 2018 |
| FILM REVIEWS: Taxi Driver (Oko Ashewo) C Ryan African Studies Review 61 (1), 284, 2018 | | 2018 |
