| How music empowers: listening to modern rap and metal S Gamble Routledge, 2021 | 23 | 2021 |
| Breaking down the breakdown in twenty-first-century metal S Gamble Metal Music Studies 5 (3), 337-354, 2019 | 23 | 2019 |
| Hip-hop producer-hosts, beat battles, and online music production communities on Twitch J Ng, S Gamble First Monday, 2023 | 9 | 2023 |
| Saturation season: Inclusivity, queerness, and aesthetics in the new media practices of Brockhampton KA Hansen, S Gamble Popular Music and Society 45 (1), 13-30, 2022 | 4 | 2022 |
| Listening to virtual space in recorded popular music S Gamble Proceedings of the 12th Art of Record Production Conference: Mono: Stereo …, 2019 | 3 | 2019 |
| Networking Global Hip Hop Knowledges: The CIPHER Method JG Rollefson, W Moses, J Ng, P Marks, S Gamble, O McCabe Ethnomusicology 67 (3), 430-464, 2023 | 2 | 2023 |
| Analyzing Hip-Hop Hacktivism and Automobility in Injury Reserve's (2019)“Jailbreak the Tesla”(Feat. AminÉ) S Gamble, J Williams Analyzing Recorded Music, 38-55, 2022 | 2 | 2022 |
| Empowerment in Rap Music Listening ft. Kendrick Lamar’s “Backseat Freestyle” S Gamble On Popular Music and Its Unruly Entanglements, 165-185, 2019 | 2 | 2019 |
| It’s Where You’re @: Hip Hop and the Internet S Gamble, R Campos Valverde Global Hip Hop Studies 2 (2), 2023 | 1 | 2023 |
| The hiphopification of pop: hip hop aesthetics in mainstream popular music S Gamble Royal Musical Association 58th Annual Conference, University of Durham, 2022 | 1 | 2022 |
| Hip-hop music producers’ labour in the digital music economy: Self-promotion, social media and platform gatekeeping J Ng, S Gamble new media & society, 14614448241295304, 2024 | | 2024 |
| Digital Flows: Online Hip Hop Music and Culture S Gamble Oxford University Press, 2024 | | 2024 |
| Posthuman Rap. By Justin Adams Burton. New York: Oxford University Press. 2017. 155 pp. ISBN 978-0-19-023546-8 S Gamble Popular Music 38 (1), 142-144, 2019 | | 2019 |
| Empowerment in postmillenial rap and metal music listening S Gamble Kingston University, 2018 | | 2018 |
| All the way up: hip hop’s global emergence as the leading popular music genre in the age of digital streaming S Gamble | | |
| Beats to Quarantine to: Lofi hip hop music and virtual community during the COVID-19 pandemic S Gamble | | |
| Julien O. and Levaux C.(eds., 2018) Over and Over: Exploring Repetition in Popular Music, New York, Bloomsbury Academic. S Gamble | | |
Kai Arne HansenProfessor of Music, University of Inland NorwayVerified email at inn.no