| Country Music and the Problem of Authenticity E Malone British Journal of Aesthetics 63 (1), 75-90, 2023 | 9 | 2023 |
| Trust in AI: Progress, Challenges, and Future Directions S Afroogh, A Akbari, E Malone, M Kargar, H Alambeigi arXiv preprint arXiv:2403.14680, 2024 | 8 | 2024 |
| Two Concepts of Groove: Musical Nuances, Rhythm, and Genre E Malone Journal of Aesthetics & Art Criticism 80 (3), 345-354, 2022 | 7 | 2022 |
| Genres, Communities, and Practices EC Malone State University of New York at Albany, 2022 | 6 | 2022 |
| The Ontology and Aesthetics of Genre E Malone Philosophy Compass, 2024 | 4 | 2024 |
| On the Oddly Satisfying E Malone Contemporary Aesthetics 15, 2017 | 3 | 2017 |
| When Trust is Zero Sum: Automation Threat to Epistemic Agency E Malone, S Afroogh, J DCruz, KR Varshney arXiv preprint arXiv:2408.08846, 2024 | 2 | 2024 |
| Rhinestone Cowboys: The Problem of Country Music Costuming E Malone Journal of Aesthetics & Art Criticism, 2024 | | 2024 |
| Popular music and art-interpretive injustice E Malone, PD Magnus Inquiry, 1-13, 2023 | | 2023 |
| The Problem of Genre Explosion E Malone Inquiry, 2023 | | 2023 |
| The ethics of cover songs E Malone, PD Magnus | | 2022 |
| Modal Insurance: Probabilities, Risk, and Degrees of Luck E Malone Southwest Philosophical Studies 41, 2019 | | 2019 |
| Music genres as historical individuals PD Magnus, E Malone, B Polite | | |
Saleh Afroogh, Ph.D.AI Research fellow, NSF NRT, The University of Texas at AustinDirección de correo verificada de utexas.edu
