| The author A Bennett Routledge, 2004 | 678 | 2004 |
| Music, space and place: popular music and cultural identity S Whiteley, A Bennett, S Hawkins (No Title), 2004 | 380 | 2004 |
| Settling the pop score: Pop texts and identity politics S Hawkins Routledge, 2017 | 314 | 2017 |
| The British pop dandy: Masculinity, popular music and culture S Hawkins Routledge, 2017 | 293 | 2017 |
| Queerness in pop music: Aesthetics, gender norms, and temporality S Hawkins Routledge, 2015 | 155 | 2015 |
| Music, space and place A Bennett Ashgate, 2004 | 98 | 2004 |
| Prince: The making of a pop music phenomenon S Hawkins, S Niblock Routledge, 2016 | 87 | 2016 |
| Feel the beat come down: house music as rhetoric S Hawkins Analyzing popular music 80, 102, 2003 | 86 | 2003 |
| Remodeling Britney Spears: Matters of intoxication and mediation S Hawkins, J Richardson Pop Music and Easy Listening, 57-81, 2017 | 74 | 2017 |
| How genres are born, change, die: Conventions, communities and diachronic processes F Fabbri Critical Musicological Reflections, 179-191, 2016 | 73 | 2016 |
| The Routledge research companion to popular music and gender S Hawkins Taylor & Francis, 2017 | 65 | 2017 |
| Sgt. Pepper and the Beatles: It Was Forty Years Ago Today O Julien Ashgate Publishing, Ltd., 2008 | 59 | 2008 |
| The Pet Shop Boys: musicology, masculinity and banality S Hawkins Sexing The Groove, 118-133, 2013 | 58 | 2013 |
| Anatomy of the encounter: Intercultural analysis as relational musicology N Cook Critical Musicological Reflections, 193-208, 2016 | 56 | 2016 |
| Perspectives in popular musicology: music, Lennox, and meaning in 1990s pop1 S Hawkins Popular Music 15 (1), 17-36, 1996 | 54 | 1996 |
| The Bloomsbury handbook of popular music video analysis S Hawkins, LA Burns Bloomsbury Publishing, 2019 | 49 | 2019 |
| Black popular music in Britain since 1945 J Stratton, N Zuberi Routledge, 2016 | 46 | 2016 |
| Prince: harmonic analysis of ‘Anna Stesia’ S Hawkins Popular Music 11 (3), 325-335, 1992 | 44 | 1992 |
| On male queering in mainstream pop S Hawkins Queering the popular pitch, 280-295, 2013 | 40 | 2013 |
| Aesthetics and hyperembodiment in pop videos: Rihanna’s “Umbrella” S Hawkins The Oxford handbook of new audiovisual aesthetics, 466-482, 2013 | 38 | 2013 |
Andy BennettProfessor of Cultural Sociology, Griffith UniversityDirección de correo verificada de griffith.edu.au
