| Flow synthesizer: Universal audio synthesizer control with normalizing flows P Esling, N Masuda, A Bardet, R Despres, A Chemla-Romeu-Santos Applied Sciences 10 (1), 302, 2019 | 104 | 2019 |
| Bridging Audio Analysis, Perception and Synthesis with Perceptually-regularized Variational Timbre Spaces. P Esling, A Chemla-Romeu-Santos, A Bitton ISMIR, 175-181, 2018 | 48 | 2018 |
| Dyci2 agents: merging the" free"," reactive", and" scenario-based" music generation paradigms J Nika, K Déguernel, A Chemla, E Vincent, G Assayag International computer music conference, 2017 | 40 | 2017 |
| Modulated variational auto-encoders for many-to-many musical timbre transfer A Bitton, P Esling, A Chemla-Romeu-Santos arXiv preprint arXiv:1810.00222, 2018 | 34 | 2018 |
| The SOMax 2 Theoretical Model J Borg | 8 | 2021 |
| FlowSynth: simplifying complex audio generation through explorable latent spaces with normalizing flows P Esling, N Masuda, A Chemla-Romeu-Santos Proceedings of the Twenty-Ninth International Conference on International …, 2021 | 8 | 2021 |
| Cross-modal variational inference for bijective signal-symbol translation A Chemla-Romeu-Santos, S Ntalampiras, P Esling, G Haus, G Assayag Proceedings of the 22 nd International Conference on Digital Audio Effects …, 2019 | 7 | 2019 |
| Machine learning for computer music multidisciplinary research: A practical case study H Scurto, A Chemla–Romeu-Santos Perception, Representations, Image, Sound, Music: 14th International …, 2021 | 6 | 2021 |
| The SOMax 2 Software Architecture J Borg | 4 | 2021 |
| Guidages de l’improvisation A Chemla-Romeu-Santos Master's thesis. Master ATIAM--Ircam, UPMC, 2015 | 3 | 2015 |
| Somax 2 a Reactive Multi-Agent Environment for Co-Improvisation J Borg, G Assayag, M Malt | 3* | |
| Manifold representations of musical signals and generative spaces ACA CHEMLA ROMEU SANTOS Università degli Studi di Milano, 2020 | 2 | 2020 |
| Challenges in creative generative models for music: a divergence maximization perspective P Esling arXiv preprint arXiv:2211.08856, 2022 | 1 | 2022 |
| Creative divergent synthesis with generative models P Esling arXiv preprint arXiv:2211.08861, 2022 | | 2022 |
| Tools and Perspectives for Interaction with Neural Audio Synthesis A Chemla International Conference on New Interfaces for Musical Expression, 2022 | | 2022 |
| Rhythms Generation N Devis, A Chemla–Romeu-Santos, P Esling | | 2020 |
| Représentations variationnelles inversibles: une nouvelle approche pour la synthèse sonore A Chemla-Romeu-Santos, P Esling, S Ntalampiras Journées d'Informatique Musicale 2020 (JIM 2020), 2020 | | 2020 |
| ciel H Scurto Proceedings of the 20th International Conference on New Interfaces for …, 2020 | | 2020 |
| Cross-modal variational inference for bijective signal-symbol translation S Ntalampiras, P Esling, G Haus, G Assayag arXiv preprint arXiv:2002.03862, 2020 | | 2020 |
| Manifold representations of musical signals and generative spaces.(Représentations variationnelles de signaux musicaux et espaces génératifs). A Chemla-Romeu-Santos Sorbonne University, Paris, France, 2020 | | 2020 |
Philippe EslingInstitut de Recherche et Coordination Acoustique Musique (IRCAM)ایمیل تأیید شده در ircam.fr
