Davide Rocchesso

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Coauteurs

Federico AvanziniFull Professor, University of MilanoAdresse e-mail validée de di.unimi.it
Stefano Delle MonacheIrcam STSM Lab | Perception and Sound Design groupAdresse e-mail validée de ircam.fr
Federico FontanaAssociate Professor, University of Udine - ItalyAdresse e-mail validée de uniud.it
Giovanni De PoliFull Professor of Computer Engineering, University of PadovaAdresse e-mail validée de dei.unipd.it
Guillaume LemaitreInstitut de Recherche et de Création Acoustique MusiqueAdresse e-mail validée de ircam.fr
Roberto BresinProfessor of Media Technology, KTH Royal Institute of technologyAdresse e-mail validée de kth.se
Stefano PapettiZurich University of the ArtsAdresse e-mail validée de zhdk.ch
Julius SmithProfessor Emeritus of Music and b/c EE, Stanford UniversityAdresse e-mail validée de stanford.edu
Stefano BaldanResearch Assistant, IUAV University of VeniceAdresse e-mail validée de iuav.it
carlo drioliUniversità di UdineAdresse e-mail validée de uniud.it
Xavier SerraDepartment of Information and Communication Technologies, Universitat Pompeu Fabra (UPF), BarcelonaAdresse e-mail validée de upf.edu
Patrick SusiniSTMS (Ircam, CNRS, SU)Adresse e-mail validée de ircam.fr
Frank PollickProfessor of Psychology, University of GlasgowAdresse e-mail validée de glasgow.ac.uk
Sofia DahlAssociate Professor in Music perception and Cognition, Aalborg UniversityAdresse e-mail validée de create.aau.dk
Davide Andrea MauroKreativInstitut.OWLAdresse e-mail validée de uni-paderborn.de
Nicola BernardiniProfessor, Scuola di Musica Elettronica, Conservatorio "Ottorino Respighi" LatinaAdresse e-mail validée de conslatina.it
Mikael FernstromLecturer (emeritus) in Interaction Design, University of LimerickAdresse e-mail validée de ul.ie
Karmen FraninovicZurich University of the ArtsAdresse e-mail validée de zhdk.ch
Amalia de GötzenAssociate professor Aalborg University CopenhagenAdresse e-mail validée de create.aau.dk
Aina PuceEleanor Cox Riggs Professor, Psychological and Brain Sciences, Indiana UniversityAdresse e-mail validée de indiana.edu

Suivre

Davide Rocchesso

Professor. Università degli Studi di Milano

Adresse e-mail validée de unimi.it - Page d'accueil

Sound and Music Computing Interaction Design Sonic Interaction Design Sound Synthesis


Titre Trier par citations Trier par année Trier par titre	Citée par Citée par	Année
DAFX-Digital audio effects U Zölzer, X Amatriain, D Arfib, J Bonada, G De Poli, P Dutilleux, ... John Wiley & Sons, 2002	906	2002
Sounding objects D Rocchesso, R Bresin, M Fernstrom IEEE MultiMedia 10 (2), 42-52, 2003	334	2003
Circulant and elliptic feedback delay networks for artificial reverberation D Rocchesso, JO Smith IEEE Transactions on Speech and Audio Processing 5 (1), 51-63, 1997	189	1997
Elimination of delay-free loops in discrete-time models of nonlinear acoustic systems G Borin, G De Poli, D Rocchesso IEEE Transactions on Speech and Audio Processing 8 (5), 597-605, 2000	165	2000
Continuous sonic feedback from a rolling ball M Rath, D Rocchesso IEEE MultiMedia 12 (2), 60-69, 2005	162	2005
Multisensory integration of drumming actions: musical expertise affects perceived audiovisual asynchrony K Petrini, S Dahl, D Rocchesso, CH Waadeland, F Avanzini, A Puce, ... Experimental brain research 198, 339-352, 2009	132	2009
Physical modeling of membranes for percussion instruments F Fontana, D Rocchesso Acta Acustica united with Acustica 84 (3), 529-542, 1998	102	1998
Modeling collision sounds: Non-linear contact force F Avanzini, D Rocchesso Proc. COST-G6 Conf. Digital Audio Effects (DAFx-01), 61-66, 2001	98	2001
Interactive simulation of rigid body interaction with friction-induced sound generation F Avanzini, S Serafin, D Rocchesso IEEE transactions on speech and audio processing 13 (5), 1073-1081, 2005	97	2005
Sonic interaction design: sound, information and experience D Rocchesso, S Serafin, F Behrendt, N Bernardini, R Bresin, G Eckel, ... CHI'08 Extended Abstracts on Human Factors in Computing Systems, 3969-3972, 2008	92	2008
Action expertise reduces brain activity for audiovisual matching actions: an fMRI study with expert drummers K Petrini, FE Pollick, S Dahl, P McAleer, L McKay, D Rocchesso, ... Neuroimage 56 (3), 1480-1492, 2011	91	2011
A fast Mellin and scale transform A De Sena, D Rocchesso EURASIP Journal on Advances in Signal Processing 2007, 1-9, 2007	90	2007
A toolkit for explorations in sonic interaction design SD Monache, P Polotti, D Rocchesso Proceedings of the 5th audio mostly conference: a conference on interaction …, 2010	86	2010
On the effectiveness of vocal imitations and verbal descriptions of sounds G Lemaitre, D Rocchesso The Journal of the Acoustical Society of America 135 (2), 862-873, 2014	84	2014
Controlling material properties in physical models of sounding objects F Avanzini, D Rocchesso ICMC, 2001	83	2001
Signal-theoretic characterization of waveguide mesh geometries for models of two-dimensional wave propagation in elastic media F Fontana, D Rocchesso IEEE Transactions on Speech and Audio Processing 9 (2), 152-161, 2001	81	2001
Designing continuous sonic interaction D Rocchesso, P Polotti, S Delle Monache International Journal of Design 3 (3), 2009	77	2009
Introduction to sound processing D Rocchesso Mondo estremo, 2003	71	2003
Physically informed signal processing methods for piano sound synthesis: a research overview B Bank, F Avanzini, G Borin, G De Poli, F Fontana, D Rocchesso EURASIP journal on advances in signal processing 2003, 1-12, 2003	67	2003
Maximally diffusive yet efficient feedback delay networks for artificial reverberation D Rocchesso IEEE Signal Processing Letters 4 (9), 252-255, 1997	66	1997

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