Marcus Pearce

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Peter M. C. HarrisonUniversity of CambridgeAdresse e-mail validée de cam.ac.uk
Daniel MüllensiefenProfessor, Department of Psychology, Goldsmiths, University of LondonAdresse e-mail validée de gold.ac.uk
Joy BhattacharyaProfessor, Department of Psychology, Goldsmiths University of LondonAdresse e-mail validée de gold.ac.uk
Peter VuustProfessor, Aarhus University & The Royal Academy of Music, AarhusAdresse e-mail validée de musikkons.dk
Niels Chr. HansenAssociate Professor, Royal Academy of Music AarhusAdresse e-mail validée de musikkons.dk
Elvira BratticoProfessor, Aarhus University & University of BariAdresse e-mail validée de clin.au.dk
Marcos NadalUniversity of the Balearic IslandsAdresse e-mail validée de uib.es
Simon DixonCentre for Digital Music, Queen Mary University of LondonAdresse e-mail validée de qmul.ac.uk
Yading SongQueen Mary University of LondonAdresse e-mail validée de qmul.ac.uk
Stephen McAdamsMcGill UniversityAdresse e-mail validée de mcgill.ca
Stefan KoelschInstitute for Biological and Medical Psychology, University of BergenAdresse e-mail validée de uib.no
Martin RohrmeierAssociate Professor of Digital Musicology, École Polytechnique Fédérale de LausanneAdresse e-mail validée de epfl.ch
Andreas HøjlundAssistant professor, Aarhus UniversityAdresse e-mail validée de cc.au.dk
Lauren StewartProfessor in School of Psychology, Roehampton UniversityAdresse e-mail validée de roehampton.ac.uk
David Ricardo Quiroga-MartinezUniversity of Copenhagen & UC BerkeleyAdresse e-mail validée de psy.ku.dk
Ana ClementeDepartment of Cognitive Neuropsychology, Max Planck Institute for Empirical AestheticsAdresse e-mail validée de ae.mpg.de
Andrea HalpernProfessor of Psychology, Bucknell UniversityAdresse e-mail validée de bucknell.edu
Vincent K.M. CheungSony Computer Science Laboratories (Sony CSL)Adresse e-mail validée de csl.sony.co.jp
Karl FristonUniversity College LondonAdresse e-mail validée de ucl.ac.uk
Roger T. DeanProfessor of Sonic Communication, Western Sydney University; Artistic Director, austraLYSISAdresse e-mail validée de westernsydney.edu.au

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Marcus Pearce

Queen Mary University of London

Adresse e-mail validée de qmul.ac.uk - Page d'accueil

Auditory Perception Cognitive Science Cognitive Neuroscience Computational Psychology Artificial Intelligence


Titre Trier par citations Trier par année Trier par titre	Citée par Citée par	Année
Neuroaesthetics: the cognitive neuroscience of aesthetic experience MT Pearce, DW Zaidel, O Vartanian, M Skov, H Leder, A Chatterjee, ... Perspectives in Psychological Science 11, 265-269, 2016	414	2016
The construction and evaluation of statistical models of melodic structure in music perception and composition MT Pearce City University of London, 2005	376	2005
Expectation in melody: The influence of context and learning MT Pearce, GA Wiggins Music Perception 23 (5), 377-405, 2006	366	2006
A survey of music recommendation systems and future perspectives Y Song, S Dixon, M Pearce 9th international symposium on computer music modeling and retrieval 4, 395-410, 2012	319	2012
The neuroaesthetics of music. E Brattico, M Pearce Psychology of Aesthetics, Creativity, and the Arts 7 (1), 48, 2013	304	2013
Unsupervised statistical learning underpins computational, behavioural, and neural manifestations of musical expectation MT Pearce, MH Ruiz, S Kapasi, GA Wiggins, J Bhattacharya NeuroImage 50 (1), 302-313, 2010	295	2010
Auditory expectation: the information dynamics of music perception and cognition MT Pearce, GA Wiggins Topics in cognitive science 4 (4), 625-652, 2012	288	2012
Uncertainty and surprise jointly predict musical pleasure and amygdala, hippocampus, and auditory cortex activity VKM Cheung, PMC Harrison, L Meyer, MT Pearce, JD Haynes, S Koelsch Current Biology 29 (23), 4084-4092. e4, 2019	266	2019
Brain responses in humans reveal ideal observer-like sensitivity to complex acoustic patterns N Barascud, MT Pearce, TD Griffiths, KJ Friston, M Chait Proceedings of the National Academy of Sciences 113, E616-E625, 2016	247	2016
Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music H Egermann, MT Pearce, GA Wiggins, S McAdams Cognitive, Affective, & Behavioral Neuroscience 13, 533-553, 2013	236	2013
Statistical learning and probabilistic prediction in music cognition: mechanisms of stylistic enculturation MT Pearce Annals of the New York Academy of Sciences 1423, 378-395, 2018	222	2018
Predictability and uncertainty in the pleasure of music: a reward for learning? BP Gold, MT Pearce, E Mas-Herrero, A Dagher, RJ Zatorre Journal of Neuroscience 39 (47), 9397-9409, 2019	192	2019
Predictive uncertainty in auditory sequence processing. NC Hansen, MT Pearce Frontiers in psychology 5, 1052, 2014	175	2014
Improved methods for statistical modelling of monophonic music M Pearce, G Wiggins Journal of New Music Research 33 (4), 367-385, 2004	174	2004
Evaluation of musical features for emotion classification. Y Song, S Dixon, MT Pearce ISMIR, 523-528, 2012	157	2012
The Copenhagen Neuroaesthetics conference: prospects and pitfalls for an emerging field M Nadal, MT Pearce Brain and cognition 76 (1), 172-183, 2011	154	2011
The role of expectation and probabilistic learning in auditory boundary perception: A model comparison MT Pearce, D Müllensiefen, GA Wiggins Perception 39 (10), 1367-1391, 2010	148	2010
Music cognition and the cognitive sciences M Pearce, M Rohrmeier Topics in cognitive science 4 (4), 468-484, 2012	141	2012
Motivations and methodologies for automation of the compositional process M Pearce, D Meredith, G Wiggins Musicae Scientiae 6 (2), 119-147, 2002	129	2002
Electrophysiological correlates of melodic processing in congenital amusia D Omigie, MT Pearce, VJ Williamson, L Stewart Neuropsychologia 51 (9), 1749-1762, 2013	126	2013

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