| Seamful interweaving: heterogeneity in the theory and design of interactive systems M Chalmers, A Galani Proceedings of the 5th conference on Designing interactive systems …, 2004 | 443 | 2004 |
| Lessons from the lighthouse: collaboration in a shared mixed reality system B Brown, I MacColl, M Chalmers, A Galani, C Randell, A Steed Proceedings of the SIGCHI conference on Human factors in computing systems …, 2003 | 270 | 2003 |
| Can You See Me? Exploring Co-Visiting between Physical and Virtual Visitors. A Galani, M Chalmers For full text: http://www. archimuse. com/mw2002/papers/galani/galani. html/., 2002 | 72 | 2002 |
| Shared visiting in EQUATOR city I MacColl, D Millard, C Randell, A Steed, B Brown, S Benford, M Chalmers, ... Proceedings of the 4th international conference on Collaborative Virtual …, 2002 | 53 | 2002 |
| Evaluating Digital Cultural Heritage ‘In the Wild’ The Case For Reflexivity A Galani, J Kidd Journal on Computing and Cultural Heritage (JOCCH) 12 (1), 1-15, 2019 | 48 | 2019 |
| Empowering the remote visitor: supporting social museum experiences among local and remote visitors A Galani, M Chalmers Museums in a digital age, 159-169, 2013 | 43 | 2013 |
| Mixed Reality Museum Visits: Using new technologies to support co-visiting for local and remote visitors A Galani Museological review 10, 2003 | 43 | 2003 |
| Hybrid material encounters-expanding the continuum of museum materialities in the wake of a pandemic A Galani, J Kidd Museum and Society 18 (3), 298-301, 2020 | 40 | 2020 |
| Experiencing mixed emotions in the museum: Empathy, affect, and memory in visitors’ responses to histories of migration R Mason, A Galani, K Lloyd, J Sayner Emotion, affective practices, and the past in the present, 124-148, 2018 | 31 | 2018 |
| Developing a mixed reality co-visiting experience for local and remote museum companions A Galani, M Chalmers, B Brown, I MacColl, C Randell, A Steed Proc. HCI international, HCII2003 3, 2003 | 30 | 2003 |
| Situating cultural technologies outdoors: Empathy in the design of mobile interpretation of rock art in rural Britain A Galani, A Mazel, D Maxwell, K Sharpe Visual heritage in the digital age, 183-204, 2013 | 29 | 2013 |
| Digitally enhanced polyvocality and reflective spaces G Arrigoni, A Galani European heritage, dialogue and Digital Practices, 37, 2019 | 27 | 2019 |
| ‘I want to be provoked’: public involvement in the development of the Northumberland Rock Art on Mobile Phones project A Mazel, A Galani, D Maxwell, K Sharpe World Archaeology 44 (4), 592-611, 2012 | 24 | 2012 |
| Production of pace as collaborative activity A Galani, M Chalmers CHI'04 Extended Abstracts on Human Factors in Computing Systems, 1417-1420, 2004 | 22 | 2004 |
| European heritage, dialogue and digital practices A Galani, R Mason, G Arrigoni Taylor & Francis, 2020 | 19 | 2020 |
| Facilitating opportunistic interaction with ambient displays C Kray, A Galani, M Rohs Workshop on Designing and Evaluating Mobile Phone-Based Interaction with …, 2008 | 17 | 2008 |
| Recasting witnessing in museums: Digital interactive displays for dialogic remembering G Arrigoni, A Galani International Journal of Heritage Studies 27 (2), 250-264, 2021 | 16 | 2021 |
| The challenge of evaluating situated display based technology interventions designed to foster ‘sense of community’ K Cheverst, N Taylor, M Rouncefield, A Galani, C Kray Proc. of USE 8, 1-5, 2008 | 16 | 2008 |
| Far away is close at hand: shared mixed reality museum experiences for local and remote museum companions A Galani, M Chalmers Archives & Museum Informatics, 2, 2003 | 16 | 2003 |
| Other people's stories: Bringing public-generated photography into the contemporary art museum A Galani, A Moschovi Curating Art, 231-242, 2021 | 15 | 2021 |
Barry BrownUniversity of Copenhagen & Stockholm UniversityAdresse e-mail validée de dsv.su.se
