| Entangling Entanglement: A Diffractive Dialogue on HCI and Musical Interactions L Morrison, A McPherson CHI Conference on Human Factors in Computing Systems, http://dx.doi.org/10 …, 2024 | 13 | 2024 |
| Encoding Post-Spectral Sound: Kaija Saariaho’s Early Electronic Works at IRCAM, 1982–87 L Morrison Music Theory Online 27 (3), 2021 | 7 | 2021 |
| Sensate sovereignty: A dialogue on Dylan Robinson's hungry lIstening S Couture, J Sterne, M Sawhney, S Roburn, A Kelleher, B Köstem, ... Amodern, 2020 | 5 | 2020 |
| Sonic entanglements with electromyography: Between bodies, signals, and representations CN Reed, L Morrison, AP Mcpherson, D Fierro, A Tanaka Proceedings of the 2024 ACM designing interactive systems conference, 2691-2707, 2024 | 4 | 2024 |
| Hearing timbre at the crossroads L Morrison Kalfou 9 (2), 328-336, 2022 | 3 | 2022 |
| Timbre Space: On the Flat History of a Multidimensional Metaphor L Morrison Music & Science 7, 1-16, 2024 | 2 | 2024 |
| On the Horizon of Digital Technics in Kaija Saariaho’s «IO» and «Nymphéa» L Morrison Archival Notes, 2022 | 2 | 2022 |
| Making Orchestras Speak/ Making Machines Listen L Morrison SMTPOD: The Society of Music Theory Podcast 1 (14), https://player.captivate …, 2022 | 1 | 2022 |
| Rhythm Quantization: Notes on the History of a Technocultural Practice L Morrison The Oxford Handbook of Time in Music, 341–365, 2021 | 1 | 2021 |
| Playing with Shadows: Reinjection Loops and Historical Allusion in Georg Friedrich Haas’s Live Electronic Music L Morrison Circuit 29 (2), 63-82, 2019 | 1 | 2019 |
| Graphical Music Representations: A Comparative Study Based on the Aural Analysis of Philippe Leroux’s MÉ L Morrison Electroacoustic Music Studies, Berlin, 2014 | 1 | 2014 |
| On mapping as a technoscientific practice in digital musical instruments MDMMW Andrew McPherson, Landon Morrison Journal of New Music Research, 1-16, 2025 | | 2025 |
| Sonic Entanglements with Electromyography: Between Bodies, Signals, and Representations A Tanaka, A McPherson, C Reed, L Morrison, D Fierro ACM Conference on Designing Interactive Systems 2024, 2024 | | 2024 |
| Electroacoustics, Optics, and Microtonal Aesthetics in the Music of Georg Friedrich Haas L Morrison, A Bauer The Oxford Handbook of Spectral Music, https://doi.org/10.1093/oxfordhb/9780190, 2023 | | 2023 |
| Reassembling Kaija Saariaho’s Vers le blanc (1982) L Morrison Mitteilungen der Paul Sacher Stiftung 33, 37-44, 2020 | | 2020 |
| Strange yet Familiar Sounds in Zosha Di Castri’s String Quartet No. 1 L Morrison Circuit 28 (2), 83-98, 2018 | | 2018 |
| Transmedial aesthetics and mimetic models in the music of Panayiotis Kokoras L Morrison Nuove Musiche 4, 119-139, 2018 | | 2018 |
| Review of Brian Kane, Sound Unseen: Acousmatic Sound in Theory and Practice (Oxford, 2014) L Morrison Music Theory Online 21 (1), 2015 | | 2015 |
Andrew McPhersonChair in Design Engineering and Music, Imperial College LondonPotvrđena adresa e-pošte na imperial.ac.uk
