Alex McLean

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Geraint WigginsProfessor of Computational Creativity, Vrije Universiteit Brussel / Queen Mary University of LondonPotvrđena adresa e-pošte na vub.ac.be
Geoff CoxLondon South Bank University & Aarhus UniversityPotvrđena adresa e-pošte na lsbu.ac.uk
Nick Collinsdurham universityPotvrđena adresa e-pošte na durham.ac.uk
Dave GriffithsThen Try ThisPotvrđena adresa e-pošte na thentrythis.org
Kia NgICSRiM - University of LeedsPotvrđena adresa e-pošte na leeds.ac.uk
Roger T. DeanProfessor of Sonic Communication, Western Sydney University; Artistic Director, austraLYSISPotvrđena adresa e-pošte na westernsydney.edu.au
Thor MagnussonDept of Music, University of Sussex | Intelligent Instruments Lab, University of IcelandPotvrđena adresa e-pošte na sussex.ac.uk
Ellen Harlizius-KlückDeutsches MuseumPotvrđena adresa e-pošte na harlizius-klueck.de
Alan BlackwellProfessor of Interdisciplinary Design, University of CambridgePotvrđena adresa e-pošte na cam.ac.uk
Alan MarsdenLancaster UniversityPotvrđena adresa e-pošte na lancaster.ac.uk
eldad tsabaryProfessor of electroacoustic music, Concordia UniversityPotvrđena adresa e-pošte na concordia.ca
David OgbornProfessor, McMaster UniversityPotvrđena adresa e-pošte na mcmaster.ca
Jamie ForthGoldsmiths, University of LondonPotvrđena adresa e-pošte na gold.ac.uk
Victor Padilla Martín-CaroUNIR Universidad Internacional de la RiojaPotvrđena adresa e-pošte na unir.net
Kristina AndersenTechnical University EindhovenPotvrđena adresa e-pošte na tinything.com
Kate SicchioVirginia Commonwealth UniversityPotvrđena adresa e-pošte na vcu.edu
James NobleCreative Research & ProgrammingPotvrđena adresa e-pošte na acm.org
Dan StowellTilburg University / Naturalis Biodiversity CentrePotvrđena adresa e-pošte na tilburguniversity.edu
Joanne ArmitageICSRiM, University of LeedsPotvrđena adresa e-pošte na leeds.ac.uk
Elizabeth WilsonUniversity of the Arts London, CCIPotvrđena adresa e-pošte na arts.ac.uk

Prati

Alex McLean

Then Try This

Potvrđena adresa e-pošte na thentrythis.org - Početna stranica

Algorithmic pattern creativity live coding music interaction functional programming


Naslov Poredaj po navodima Poredaj po godini Poredaj po naslovu	Citirano Citirano	Godina
Live coding in laptop performance N Collins, A McLean, J Rohrhuber, A Ward Organised sound 8 (3), 321-330, 2003	487	2003
Speaking code: Coding as aesthetic and political expression G Cox, A McLean MIT Press, 2012	211*	2012
Making programming languages to dance to: live coding with tidal A McLean Proceedings of the 2nd ACM SIGPLAN international workshop on Functional art …, 2014	110	2014
The Oxford handbook of algorithmic music RT Dean Oxford University Press, 2018	104	2018
Visualisation of live code A McLean, D Griffiths, N Collins, G Wiggins Electronic Visualisation and the Arts (EVA 2010), 2010	100	2010
Algorave: Live performance of algorithmic electronic dance music N Collins, A McLean Proceedings of the International Conference on New Interfaces for Musical …, 2014	98	2014
Live algorithm programming and a temporary organisation for its promotion A Ward, J Rohrhuber, F Olofsson, A McLean, D Griffiths, N Collins, ... Proceedings of the README Software Art Conference 289, 290, 2004	97	2004
Tidal–pattern language for the live coding of music A McLean, G Wiggins Proceedings of the 7th sound and music computing conference, 331-334, 2010	81	2010
Artist-programmers and programming languages for the arts CA McLean Goldsmiths, University of London, 2011	72	2011
The aesthetics of generative code G Cox, A McLean, A Ward Proc. of Generative Art, 2001	71*	2001
Digital crafts-machine-ship: creative collaborations with machines K Andersen, R Wakkary, L Devendorf, A McLean Interactions 27 (1), 30-35, 2019	56	2019
Live coding: a user's manual AF Blackwell, E Cocker, G Cox, A McLean, T Magnusson MIT Press, 2022	54	2022
Collaboration and learning through live coding (Dagstuhl Seminar 13382) A Blackwell, A McLean, J Noble, J Rohrhuber Dagstuhl Reports 3 (9), 130-168, 2014	52	2014
Bricolage Programming in the Creative Arts. A McLean, GA Wiggins PPIG, 18, 2010	50	2010
Hacking Perl in nightclubs A McLean on: perl. com, 2004	38*	2004
Live music-making: A rich open task requires a rich open interface D Stowell, A McLean Music and human-computer interaction, 139-152, 2013	35	2013
Unifying conceptual spaces: Concept formation in musical creative systems J Forth, GA Wiggins, A McLean Minds and Machines 20, 503-532, 2010	34	2010
Texture: Visual notation for live coding of pattern A McLean, GA Wiggins ICMC, 2011	32	2011
Live Coding Towards Computational Creativity. A McLean, GA Wiggins ICCC, 175-179, 2010	29	2010
Coding praxis: Reconsidering the aesthetics of code G Cox, A McLean, A Ward readme–Software Arts and Cultures, Edition, 160-175, 2004	29*	2004

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