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| Forum on transcription J Stanyek Twentieth-Century Music 11 (1), 101-161, 2014 | 61 | 2014 |
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| Towards a theory of tempo modulation F Benadon 8th International Conference on Music Cognition and Perception (ICMCP8), 2004 | 32 | 2004 |
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| Commentary on Matthew W. Butterfield’s “The power of anacrusis” F Benadon Music Theory Online 13 (1), 2007 | 13 | 2007 |
| Spectrographic and calligraphic cues in the identification of jazz saxophonists F Benadon Proceedings of the Fifth ESCOM Conference, 2003 | 12 | 2003 |
| Slicing the beat: Jazz eight-notes as expressive micro-timing F Benadon Ethnomusicology 50 (1), 73-98, 2006 | 10 | 2006 |
| Quantitative analysis of temporal structure in Cuban guaguancó drumming F Benadon, A McGraw, M Robinson Music & Science 1, 2059204318782642, 2018 | 9 | 2018 |
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| Musical structure: Time and rhythm P Martens, F Benadon The Routledge companion to music cognition, 115-127, 2017 | 8 | 2017 |
| Near-unisons in Afro-Cuban ensemble drumming F Benadon Empirical Musicology Review 11 (2), 187-201, 2016 | 7 | 2016 |
| Metrical perception of trisyllabic speech rhythms F Benadon Psychological research 78 (1), 113-123, 2014 | 7 | 2014 |
| The expressive role of beat subdivision in jazz F Benadon Conference Proceedings of the Society of Music Perception and Cognition, Las …, 2003 | 6 | 2003 |
| Meter isn't everything: The case of a timeline-oriented Cuban polyrhythm F Benadon New Ideas in Psychology 56, 100735, 2020 | 5 | 2020 |
| Speech rhythms and metric frames F Benadon International Conference on Mathematics and Computation in Music, 22-31, 2009 | 3 | 2009 |
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