| Fiction and imagination in early cinema: A philosophical approach to film history M Slugan Bloomsbury Academic, 2019 | 19 | 2019 |
| Noël Carroll and film: A philosophy of art and popular culture M Slugan Bloomsbury Publishing, 2019 | 18 | 2019 |
| Pandemic (Movies): A pragmatic analysis of a nascent genre M Slugan Quarterly Review of Film and Video 39 (4), 890-918, 2022 | 17 | 2022 |
| The Fiction/Nonfiction Distinction: Documentary Studies and Analytic Aesthetics in Conversation M Slugan, E Terrone Studies in Documentary Film 15 (2), 107-113, 2021 | 13 | 2021 |
| Textualism, extratextualism, and the fiction/nonfiction distinction in documentary studies M Slugan Studies in Documentary Film 15 (2), 114-126, 2021 | 12 | 2021 |
| Responses to Balkanism in Emir Kusturica's Život je čudo/Life is a Miracle (2004) M Slugan Studies in Eastern European Cinema 2 (1), 37-47, 2011 | 8 | 2011 |
| Fiction as a challenge to text-oriented film studies M Slugan New Review of Film and Television Studies 21 (3), 427-450, 2023 | 7 | 2023 |
| Film studies and the experimental method M Slugan Amsterdam University Press, 2020 | 6 | 2020 |
| Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder M Slugan Boydell and Brewer, 2017 | 6 | 2017 |
| Taking Bazin Literally M Slugan Projections 11 (1), 63-82, 2017 | 6 | 2017 |
| Some methodological concerns regarding the study of Balkanism in cinema M Slugan Unpublished article, 2011 | 6 | 2011 |
| An asymmetry of implicit fictional narrators in literature and film M Slugan | 6 | 2010 |
| Some Thoughts on Controlling Fictional Narrators in Fiction Film. M Slugan ASAGE: American Society for Aesthetics Graduate E-Journal 6 (2), 2014 | 5 | 2014 |
| The Rhetorics of Interpretation and Źižek's Approach to Film M Slugan Slavic Review 72 (4), 728-749, 2013 | 5 | 2013 |
| Embodying meaning visually: from perceptual dynamics to motion kinematics M Coëgnarts, M Slugan Art & Perception 10 (2), 137-158, 2022 | 4 | 2022 |
| Deixis in Literary and Film Fiction: Intra-Ontological Reference and the Case of the Controlling Fictional Narrator M Slugan How to Make Believe: The Fictional Truths of Representational Arts, 185-202, 2015 | 4 | 2015 |
| The turn-of-the-century understanding of ‘fakes’ in the US and Western Europe M Slugan PARTICIPATIONS 16 (1), 718-731, 2019 | 3 | 2019 |
| Theorizing fiction in film non/fiction: some thoughts on recent German film theory M Slugan Apparatus 8, 2019 | 3 | 2019 |
| New Perspectives on Early Cinema History: Concepts, Approaches, Audiences M Slugan, D Biltereyst Bloomsbury Publishing, 2022 | 2 | 2022 |
| Fiction, Knowledge and Cinematic Realism. M Slugan, Q Mary Journal of Theoretical & Philosophical Criminology 13, 2021 | 2 | 2021 |
