| Musical source separation: An introduction E Cano, D FitzGerald, A Liutkus, MD Plumbley, FR Stöter IEEE Signal Processing Magazine 36 (1), 31-40, 2018 | 141 | 2018 |
| Music emotion recognition: Toward new, robust standards in personalized and context-sensitive applications JS Gómez-Cañón, E Cano, T Eerola, P Herrera, X Hu, YH Yang, E Gómez IEEE Signal Processing Magazine 38 (6), 106-114, 2021 | 97 | 2021 |
| Music information retrieval meets music education C Dittmar, E Cano, J Abeßer, S Grollmisch Schloss Dagstuhl–Leibniz-Zentrum für Informatik, 2012 | 82 | 2012 |
| Evaluation of quality of sound source separation algorithms: Human perception vs quantitative metrics E Cano, D FitzGerald, K Brandenburg 2016 24th European Signal Processing Conference (EUSIPCO), 1758-1762, 2016 | 68 | 2016 |
| Jazz Solo Instrument Classification with Convolutional Neural Networks, Source Separation, and Transfer Learning. JS Gómez, J Abeßer, E Cano ISMIR, 577-584, 2018 | 50 | 2018 |
| Pitch-informed solo and accompaniment separation towards its use in music education applications E Cano, G Schuller, C Dittmar EURASIP Journal on Advances in Signal Processing 2014, 1-19, 2014 | 44 | 2014 |
| Analyzing the potential of pre-trained embeddings for audio classification tasks S Grollmisch, E Cano, C Kehling, M Taenzer 2020 28th European Signal Processing Conference (EUSIPCO), 790-794, 2021 | 36 | 2021 |
| New sonorities for jazz recordings: Separation and mixing using deep neural networks E Cano, J Abeßer, G Schuller, SI Mimilakis Workshop on Intelligent Music Production 2016, 2016 | 34 | 2016 |
| Improving semi-supervised learning for audio classification with FixMatch S Grollmisch, E Cano Electronics 10 (15), 1807, 2021 | 30 | 2021 |
| TROMPA-MER: an open dataset for personalized music emotion recognition JS Gómez-Cañón, N Gutiérrez-Páez, L Porcaro, A Porter, E Cano, ... Journal of Intelligent Information Systems 60 (2), 549-570, 2023 | 29 | 2023 |
| New Sonorities for Early Jazz Recordings Using Sound Source Separation and Automatic Mixing Tools. D Matz, E Cano, J Abeßer ISMIR, 749-755, 2015 | 25 | 2015 |
| Phase-based harmonic/percussive separation. E Cano, MD Plumbley, C Dittmar Interspeech, 1628-1632, 2014 | 21 | 2014 |
| Joyful for you and tender for us: The influence of individual characteristics and language on emotion labeling and classification JS Gómez-Cañón, E Cano, P Herrera, E Gómez Proceedings of the 21st International Society for Music Information …, 2020 | 20 | 2020 |
| Score-informed analysis of tuning, intonation, pitch modulation, and dynamics in jazz solos J Abeßer, K Frieler, E Cano, M Pfleiderer, WG Zaddach IEEE/ACM Transactions on Audio, Speech, and Language Processing 25 (1), 168-177, 2016 | 20 | 2016 |
| Examining the mapping functions of denoising autoencoders in singing voice separation SI Mimilakis, K Drossos, E Cano, G Schuller IEEE/ACM Transactions on Audio, Speech, and Language Processing 28, 266-278, 2019 | 17 | 2019 |
| Plausible augmentation of auditory scenes using dynamic binaural synthesis for personalized auditory realities K Brandenburg, E Cano, F Klein, T Köllmer, H Lukashevich, A Neidhardt, ... Proc. of AES International Conference on Audio for Virtual and Augmented Reality, 2018 | 17 | 2018 |
| Exploring sound source separation for acoustic condition monitoring in industrial scenarios E Cano, J Nowak, S Grollmisch 2017 25th European Signal Processing Conference (EUSIPCO), 2264-2268, 2017 | 16 | 2017 |
| Melody line detection and source separation in classical saxophone recordings E Cano, C Cheng 12th International Conference on Digital Audio Effects (1-4 September DAFx …, 2009 | 16 | 2009 |
| Score-Informed Analysis of Intonation and Pitch Modulation in Jazz Solos. J Abeßer, E Cano, K Frieler, M Pfleiderer, WG Zaddach ISMIR, 823-829, 2015 | 14 | 2015 |
| Songs2See: learn to play by playing E Cano, C Dittmar, S Grollmisch 12th International Society for Music Information Retrieval Conference (ISMIR …, 2011 | 14 | 2011 |