| PL voice leading and the uncanny in pop music D Forrest Music Theory Online 23 (4), 2017 | 26 | 2017 |
| Prolongation in the choral music of Benjamin Britten D Forrest Music Theory Spectrum 32 (1), 1-25, 2010 | 20 | 2010 |
| Triadic patterns across classical and popular music corpora: stylistic conventions, or characteristic idioms? DRW Sears, D Forrest Pattern in Music, 46-59, 2023 | 17 | 2023 |
| A Taxonomy of Sentence Structures D Forrest, M Santa College Music Symposium 54, 2014 | 17 | 2014 |
| Britten and the supernatural D Forrest Essays on Benjamin Britten from a centenary symposium. Cambridge: Cambridge …, 2017 | 3 | 2017 |
| Essays on Benjamin Britten from a Centenary Symposium QP Ankrum, D Forrest, S Jocoy Cambridge Scholars Publishing, 2017 | 2 | 2017 |
| How can I use PowerPoint more effectively D Forrest Retrieved fromwww. tltc. ttu. edu/teach/.../using_powerpoint. asp. Accessed, 2013 | 2 | 2013 |
| American Music Theory, 1955-2010 D Forrest, S Neff, J Reef Oxford University Press, 2011 | 2 | 2011 |
| Kate Bush's uncanny harmonic language D Forrest The Routledge Handbook of Women’s Work in Music, 228-237, 2021 | 1 | 2021 |
| Review of The Routledge Companion to Music Theory Pedagogy Edited by Leigh VanHandel D Forrest, J Beavers, K Clifton, DRW Sears, A Stutes Journal of Music Theory Pedagogy 35 (1), 7, 2021 | | 2021 |
| Transcendence in Pop-Rock Music D Forrest | | |