| Attention: Some theoretical considerations. JA Deutsch, D Deutsch Psychological review 70 (1), 80, 1963 | 3523 | 1963 |
| Psychology and music D Deutsch Psychology and its allied disciplines, 155-194, 2019 | 1746 | 2019 |
| Grouping mechanisms in music D Deutsch Psychology of Music, 183-248, 2013 | 615* | 2013 |
| The internal representation of pitch sequences in tonal music. D Deutsch, J Feroe Psychological review 88 (6), 503, 1981 | 602 | 1981 |
| The processing of pitch combinations D Deutsch The psychology of music, 349-411, 1999 | 428 | 1999 |
| Tones and numbers: Specificity of interference in immediate memory D Deutsch Science 168 (3939), 1604-1605, 1970 | 425 | 1970 |
| Absolute pitch among American and Chinese conservatory students: Prevalence differences, and evidence for a speech-related critical period D Deutsch, T Henthorn, E Marvin, HS Xu The Journal of the Acoustical Society of America 119 (2), 719-722, 2006 | 402 | 2006 |
| The processing of structured and unstructured tonal sequences D Deutsch Perception & psychophysics 28 (5), 381-389, 1980 | 372 | 1980 |
| Absolute pitch, speech, and tone language: Some experiments and a proposed framework D Deutsch, T Henthorn, M Dolson Music perception 21 (3), 339-356, 2004 | 318 | 2004 |
| Illusory transformation from speech to song D Deutsch, T Henthorn, R Lapidis The Journal of the Acoustical Society of America 129 (4), 2245-2252, 2011 | 294 | 2011 |
| An auditory illusion D Deutsch Nature 251 (5473), 307-309, 1974 | 274 | 1974 |
| Octave generalization and tune recognition D Deutsch Perception & Psychophysics 11 (6), 411-412, 1972 | 271 | 1972 |
| Two‐channel listening to musical scales D Deutsch The Journal of the Acoustical Society of America 57 (5), 1156-1160, 1975 | 240 | 1975 |
| Music recognition. D Deutsch Psychological review 76 (3), 300, 1969 | 238 | 1969 |
| Absolute pitch among students in an American music conservatory: Association with tone language fluency D Deutsch, K Dooley, T Henthorn, B Head The Journal of the Acoustical Society of America 125 (4), 2398-2403, 2009 | 196 | 2009 |
| Musical illusions D Deutsch Scientific American 233 (4), 92-105, 1975 | 193 | 1975 |
| The generation of two isochronous sequences in parallel D Deutsch Perception & psychophysics 34 (4), 331-337, 1983 | 187 | 1983 |
| The tritone paradox: An influence of language on music perception D Deutsch Music perception 8 (4), 335-347, 1991 | 181 | 1991 |
| A musical paradox D Deutsch Music Perception 3 (3), 275-280, 1986 | 171 | 1986 |
| Mapping of interactions in the pitch memory store D Deutsch Science 175 (4025), 1020-1022, 1972 | 165 | 1972 |
