The impact of facemasks on emotion recognition, trust attribution and re-identification M Marini, A Ansani, F Paglieri, F Caruana, M Viola Scientific Reports 11 (1), 5577, 2021 | 262 | 2021 |
How soundtracks shape what we see: Analyzing the influence of music on visual scenes through self-assessment, eye tracking, and pupillometry A Ansani, M Marini, F D’Errico, I Poggi Frontiers in Psychology 11, 556697, 2020 | 40 | 2020 |
Attraction comes from many sources: Attentional and comparative processes in decoy effects M Marini, A Ansani, F Paglieri Judgment and decision making 15 (5), 704-726, 2020 | 27 | 2020 |
Trusting COVID-19 vaccines as individual and social goal R Falcone, A Ansani, E Colì, M Marini, A Sapienza, C Castelfranchi, ... Scientific reports 12 (1), 9470, 2022 | 26 | 2022 |
‘You will be judged by the music I hear’: a study on the influence of music on moral judgement A Ansani, F D’Errico, I Poggi Web Intelligence 17 (1), 53-62, 2019 | 15 | 2019 |
Forte, piano, crescendo, diminuendo: Gestures of intensity in orchestra and choir conduction I Poggi, A Ansani Proceedings of the 4th European and 7th Nordic Symposium on Multimodal …, 2017 | 12 | 2017 |
Facial impression of trustworthiness biases statement credibility unless suppressed by facemask M Marini, F Paglieri, A Ansani, F Caruana, M Viola Current Psychology 43 (14), 13072-13082, 2024 | 11 | 2024 |
Analyzing the perceived utility of COVID-19 countermeasures: the role of pronominalization, moral foundations, moral disengagement, fake news embracing, and health anxiety A Ansani, M Marini, C Cecconi, D Dragoni, E Rinallo, I Poggi, L Mallia Psychological Reports 125 (5), 2591-2622, 2022 | 11 | 2022 |
The conductor’s intensity gestures I Poggi, F D’Errico, A Ansani Psychology of music 49 (6), 1478-1497, 2021 | 11 | 2021 |
Phonetic and functional features of pauses, and concurrent gestures, in tourist guides’ speech V Cataldo, L Schettino, R Savy, I Poggi, A Origlia, A Ansani, I Sessa, ... Audio Archives at the Crossroads of Speech Sciences, Digital Humanities and …, 2019 | 11 | 2019 |
Prokofiev was (almost) right: A cross-cultural investigation of auditory-conceptual associations in Peter and the Wolf N Di Stefano, A Ansani, A Schiavio, C Spence Psychonomic bulletin & review, 1-10, 2024 | 8 | 2024 |
The Power of Gaze in Music. Leonard Bernstein’s Conducting Eyes I Poggi, L Ranieri, Y Leone, A Ansani Multimodal Technologies and Interaction 4 (2), 20, 2020 | 8 | 2020 |
“It Sounds Wrong…” Does Music Affect Moral Judgement? A Ansani, F D’Errico, I Poggi Computational Science and Its Applications–ICCSA 2017: 17th International …, 2017 | 7 | 2017 |
Music and time perception in audiovisuals: Arousing soundtracks lead to time overestimation no matter their emotional valence A Ansani, M Marini, L Mallia, I Poggi Multimodal Technologies and Interaction 5 (11), 68, 2021 | 6 | 2021 |
Human, all too human: Towards a disfluent virtual tourist guide A Origlia, R Savy, V Cataldo, L Schettino, A Ansani, I Sessa, A Chiera, ... Adjunct Publication of the 27th Conference on User Modeling, Adaptation and …, 2019 | 6 | 2019 |
The lexicon of the Conductor's gaze I Poggi, A Ansani Proceedings of the 5th International Conference on Movement and Computing, 1-8, 2018 | 5 | 2018 |
Real is the new sexy: the influence of perceived realness on self-reported arousal to sexual visual stimuli M Marini, A Ansani, A Demichelis, G Mancini, F Paglieri, M Viola Cognition and Emotion 38 (3), 348-360, 2024 | 4 | 2024 |
Sighs in everyday and political communication I Poggi, A Ansani, C Cecconi Workshop on Laughter - Paris, 2018 | 4* | 2018 |
Ethos theory of music: Toward an empirical confirmation through moral foundations theory A Ansani, L Giombini, I Poggi, JO Young Empirical Studies of the Arts 42 (2), 377-397, 2024 | 3 | 2024 |
Vagueness as an implicit-encoding persuasive strategy: an experimental approach G Mannaioli, A Ansani, C Coppola, E Lombardi Vallauri Cognitive Processing, 1-23, 2024 | 3 | 2024 |