Justin London

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Rainer PolakRITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motionmail.de의 이메일 확인됨
Nori JacobyCornell University and Max Planck Institute for Empirical Aestheticsae.mpg.de의 이메일 확인됨
marc thompsonFellow, Oxford Universitysbs.ox.ac.uk의 이메일 확인됨
Peter E. KellerCenter for Music in the Brain, Aarhus University; MARCS Institute, Western Sydney Universityclin.au.dk의 이메일 확인됨
Birgitta BurgerUniversity of Hamburg, Germanyuni-hamburg.de의 이메일 확인됨
Petri ToiviainenProfessor of Musicjyu.fi의 이메일 확인됨
Anne DanielsenUniversity of Oslo, RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motionimv.uio.no의 이메일 확인됨
Kristian NymoenUniversity of Osloifi.uio.no의 이메일 확인됨
Jessica GrahnBrain and Mind Institute, Department of Psychology, University of Western Ontariouwo.ca의 이메일 확인됨
Daniel J. LevitinMinerva University, McGill Universityminerva.edu의 이메일 확인됨
Daniel GoldbergUniversity of Connecticutuconn.edu의 이메일 확인됨
PD Dr. Timo FischingerSenior Research Fellow / Music Teacherfischart.de의 이메일 확인됨
Andre HolzapfelAssociate Professor, Royal Institute of Technologykth.se의 이메일 확인됨
Guilherme Schmidt CâmaraPost Doctoral Research Fellow, RITMO Center for Interdisciplinary Studies in Rhythm, Time and Motionimv.uio.no의 이메일 확인됨
Ian CrossUniversity of Cambridgecam.ac.uk의 이메일 확인됨
Clemens WöllnerProfessor für Systematische Musikwissenschaft, Hochschule für Musik Freiburgmh-freiburg.de의 이메일 확인됨
Tommi HimbergDepartment of Neuroscience and Biomedical Engineering, Aalto Universityaalto.fi의 이메일 확인됨
Emily Carlson (Clements), PhDUniversity of Jyväskyläjyu.fi의 이메일 확인됨
David HammerschmidtResearch Associate, University of Hamburguni-hamburg.de의 이메일 확인됨
Julie NeiworthProfessor of Psychology, Carleton Collegecarleton.edu의 이메일 확인됨

팔로우

Justin London

Professor of Music and Cognitive Science, Carleton College

carleton.edu의 이메일 확인됨 - 홈페이지

Rhythm Timing Embodied Cognition Cross-Cultural Psychology


제목 서지정보순 정렬 연도순 정렬 제목순 정렬	인용 인용	연도
Hearing in time: Psychological aspects of musical meter J London Oxford University Press, 2012	1607	2012
The psychology of music: Rhythm and movement DJ Levitin, JA Grahn, J London Annual review of psychology 69 (1), 51-75, 2018	287	2018
Cognitive constraints on metric systems: Some observations and hypotheses J London Music perception 19 (4), 529-550, 2002	197	2002
Rhythmic prototypes across cultures: A comparative study of tapping synchronization R Polak, N Jacoby, T Fischinger, D Goldberg, A Holzapfel, J London Music Perception: An Interdisciplinary Journal 36 (1), 1-23, 2018	97	2018
Some examples of complex meters and their implications for models of metric perception J London Music Perception 13 (1), 59-77, 1995	96	1995
Leitmotifs and Musical Reference in the Classical Film Score J London Music and Cinema, 85-96, 2000	93	2000
Production and synchronization of uneven rhythms at fast tempi BH Repp, J London, PE Keller Music Perception 23 (1), 61-78, 2005	91	2005
Where is the beat in that note? Effects of attack, duration, and frequency on the perceived timing of musical and quasi-musical sounds. A Danielsen, K Nymoen, E Anderson, GS Câmara, MT Langerød, ... Journal of Experimental Psychology: Human Perception and Performance 45 (3), 402, 2019	88	2019
Timing and meter in Mande drumming from Mali R Polak, J London Music Theory Online 20 (1), 2014	86	2014
Both isochronous and non-isochronous metrical subdivision afford precise and stable ensemble entrainment: A corpus study of Malian jembe drumming R Polak, J London, N Jacoby Frontiers in Neuroscience 10, 285, 2016	82	2016
Synchronization to metrical levels in music depends on low-frequency spectral components and tempo B Burger, J London, MR Thompson, P Toiviainen Psychological research 82, 1195-1211, 2018	74	2018
Rhythm histograms and musical meter: A corpus study of Malian percussion music J London, R Polak, N Jacoby Psychonomic bulletin & review 24, 474-480, 2017	74	2017
Loud rests and other strange metric phenomena (or, meter as heard) J London Music Theory Online 2, 1993	63	1993
Three things linguists need to know about rhythm and time in music. J London Empirical Musicology Review 7, 2012	59	2012
Building a representative corpus of classical music J London Music Perception: An Interdisciplinary Journal 31 (1), 68-90, 2013	56	2013
Perception–production relationships and phase correction in synchronization with two-interval rhythms BH Repp, J London, PE Keller Psychological Research 75, 227-242, 2011	56	2011
Some non-isomorphisms between pitch and time J London Journal of Music Theory 46 (1/2), 127-151, 2002	55	2002
Rhythm in twentieth-century theory J London The Cambridge history of Western music theory, 695-725, 2002	49	2002
Musical and linguistic speech acts J London The Journal of Aesthetics and Art Criticism 54 (1), 49-64, 1996	49	1996
Tactus≠ tempo: some dissociations between attentional focus, motor behavior, and tempo judgment. J London Empirical Musicology Review 6 (1), 2011	44	2011

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