| A cross-cultural analysis of the influence of timbre on affect perception in western classical music and chinese music traditions X Wang, Y Wei, L Heng, S McAdams Frontiers in psychology 12, 732865, 2021 | 30 | 2021 |
| A database linking piano and orchestral MIDI scores with application to automatic projective orchestration L Crestel, P Esling, L Heng, S McAdams arXiv preprint arXiv:1810.08611, 2018 | 23 | 2018 |
| Timbre in the communication of emotions among performers and listeners from western art music and Chinese Music traditions L Heng McGill University (Canada), 2018 | 4 | 2018 |
| The function of timbre in the perception of affective intentions: Effect of enculturation in different musical traditions L Heng, S McAdams Musicae Scientiae, https://doi.org/10.1177/1029864924123777, 2024 | 1 | 2024 |
| Timbre’s function within a musical phrase in the perception of affective intents L Heng, S McAdams 2nd International Conference on Timbre (Timbre 2020), online conference, 17-20, 2020 | 1 | 2020 |
| Perception of affective intentions in music: Timbre cues and differences in musical cultures L Heng McGill University Libraries, 2023 | | 2023 |
| "Singaporean performance" in Singapore's Chinese orchestral practice: What is it? Where is it? L Heng, S Weiss Is there such a thing as Singaporean performance? 28, 309-334, 2023 | | 2023 |
| Global Musical Modernisms L HENG, M WANG | | 2022 |
| Timbre’s function in the perception of affective intentions: Contextual information and effects of learning L Heng, S McAdams Proceedings of the Future Directions of Music Cognition International …, 2021 | | 2021 |
| Negotiations within Singapore’s cultural sphere: Case study L Heng, M Loh, YS Lam Traditional Chinese Music in Contemporary Singapore, 237–257, 2020 | | 2020 |
| A proliferation and practice of Chinese orchestral music in Singapore from the 1950s to the mid-1980s L Heng | | 2016 |
| Perception of Instrumental Spacing in Composers' Orchestration Styles M Gover, L Heng, J Rubino | | |
| Month: December 2022 L HENG, M WANG | | |
