| Notational perspective and comprovisation S Bhagwati, P de Assis, W Brooks, K Coessens Sound & score. Essays on sound, score and notation, 165-177, 2013 | 42 | 2013 |
| Towards interactive onscreen notations for comprovisation in large ensembles S Bhagwati Edited by George E. Lasker, M. Ana Luz and John Dack. Systems Research in …, 2008 | 29 | 2008 |
| The design of the body: suit: score, a full-body vibrotactile musical score TJ West, A Bachmayer, S Bhagwati, J Berzowska, MM Wanderley Human Interface and the Management of Information. Information in …, 2019 | 20 | 2019 |
| Elaborate audio scores: Concepts, affordances and tools S Bhagwati Proceedings of the International Conference on Technologies for Music …, 2018 | 19 | 2018 |
| Comprovisation–Concepts and techniques S Bhagwati Re) Thinking Improvisation, 2013 | 17 | 2013 |
| Musicking the Body Electric: the “Body: Suit: Score” as a Polyvalent Score Interface for Situational Scores S Bhagwati, I Cossette, J Berzowska, M Wanderley, J Sullivan, D Egloff, ... Proceedings of the 2nd International Conference on Technologies for Music …, 2016 | 15 | 2016 |
| Imagining the other's voice: On composing across vocal traditions S Bhagwati Vocal Music and Contemporary Identities, 76-95, 2013 | 13 | 2013 |
| Vexations of ephemerality S Bhagwati Proceedings of the International Conference on Technologies for Music …, 2017 | 11 | 2017 |
| Glossaire raisonné S Bhagwati Circuit 28 (1), 15-22, 2018 | 9 | 2018 |
| Musicking the body electric S Bhagwati, I Cossette, J Berzowska, A Basanta, J Stein, J Browne, ... Proceedings of the International Conference on Technologies for Music …, 2016 | 6 | 2016 |
| Introduction. De l’appropriation au dialogue: des rencontres «transtraditionnelles» et leurs modalités S Bhagwati, J Goldman, A Boccara Circuit 28 (1), 9-14, 2018 | 5 | 2018 |
| Curating musicking as a mode of wakefulness in interesting times S Bhagwati Symposium “Curating diversity–Decolonizing contemporary music, 2020 | 4 | 2020 |
| Musicking beyond Algorithms S Bhagwati Patterns of Intuition: Musical Creativity in the Light of Algorithmic …, 2015 | 3 | 2015 |
| His composing at home... Illusions from noise and from silence S Bhagwati NEUE ZEITSCHRIFT FUR MUSIK, 24-25, 2006 | 2 | 2006 |
| Stepping on the cracks or, how I compose with Indian music in mind S Bhagwati World of music (Wilhelmshaven) 45 (2), 113-124, 2003 | 2 | 2003 |
| Die Gesänge der Ghat-Biwa S Bhagwati | 2 | 1999 |
| Komponieren im 21. Jahrhundert: Texte 1993-99 S Bhagwati Institut fur Elektronische Musik, 1999 | 2 | 1999 |
| What is critical curating?/Qu’est-ce que le commissariat engagé? H Sivanesan, P Day, R Rice, J Fisher, J Drobnick, P Edmonds, S Marsden, ... RACAR: revue d'art canadienne/Canadian Art Review 43 (2), 102-123, 2018 | 1 | 2018 |
| Reasoned glossary S Bhagwati CIRCUIT 28 (1), 15-22, 2018 | 1 | 2018 |
| Vantage Points: Essays, Critical Perspectives, Field Notes: Sonic Nodes; Being with Time; Alexandra Pirici's Re-Collection; Museum Dance; The Tourab Exhibition S Bhagwati, V Holyoak, F Malzacher, C Dupuis, A Salem TURBA 3 (1), 55-77, 2024 | | 2024 |