| Quicker, faster, darker: Changes in Hollywood film over 75 years JE Cutting, KL Brunick, JE DeLong, C Iricinschi, A Candan i-Perception 2 (6), 569-576, 2011 | 254 | 2011 |
| Perceiving event dynamics and parsing Hollywood films. JE Cutting, KL Brunick, A Candan Journal of experimental psychology: human perception and performance 38 (6 …, 2012 | 165 | 2012 |
| Children’s future parasocial relationships with media characters: The age of intelligent characters KL Brunick, MM Putnam, LE McGarry, MN Richards, SL Calvert Journal of Children and Media 10 (2), 181-190, 2016 | 110 | 2016 |
| Planning to reach for an object changes how the reacher perceives it PM Vishton, NJ Stephens, LA Nelson, SE Morra, KL Brunick, JA Stevens Psychological Science 18 (8), 713-719, 2007 | 105 | 2007 |
| Visual activity in Hollywood film: 1935 to 2005 and beyond. JE Cutting, JE DeLong, KL Brunick Psychology of Aesthetics, Creativity, and the Arts 5 (2), 115, 2011 | 97 | 2011 |
| The changing poetics of the dissolve in Hollywood film JE Cutting, KL Brunick, JE DeLong Empirical Studies of the Arts 29 (2), 149-169, 2011 | 55 | 2011 |
| Low-level features of film: What they are and why we would be lost without them. KL Brunick, JE Cutting, JE DeLong Oxford University Press, 2013 | 42 | 2013 |
| How act structure sculpts shot lengths and shot transitions in Hollywood film JE Cutting, KL Brunick, JE DeLong Projections 5 (1), 1, 2011 | 40 | 2011 |
| The social science of cinema JC Kaufman, DK Simonton Oxford University Press, 2013 | 35 | 2013 |
| Film through the human visual system: Finding patterns and limits JE DeLong, KL Brunick, JE Cutting The social science of the cinema, 123-137, 2013 | 33 | 2013 |
| Influence of a character-based app on children's learning of nutritional information: Should apps be served with a side of media characters? MM Putnam, EM Richmond, KL Brunick, CA Wright, SL Calvert Games for health journal 7 (2), 121-126, 2018 | 31 | 2018 |
| Coloring the animated world: Exploring human color perception and preference through the animated film KL Brunick, JE Cutting Cognitive media theory, 124-138, 2014 | 21 | 2014 |
| Parents’ perceptions of their children’s parasocial relationships: the recontact study NR Aguiar, MN Richards, BJ Bond, KL Brunick, SL Calvert Imagination, Cognition and Personality 38 (3), 221-249, 2019 | 20 | 2019 |
| On shot lengths and film acts: A revised view JE Cutting, KL Brunick, J DeLong Projections 6 (1), 142-145, 2012 | 18 | 2012 |
| Temporal fractals in movies and mind JE Cutting, JE DeLong, KL Brunick Cognitive Research: Principles and Implications 3, 1-21, 2018 | 15 | 2018 |
| Mapping narrative space in Hollywood film JE Cutting, C Iricinschi, KL Brunick Projections 7 (2), 64-91, 2013 | 13 | 2013 |
| Quicker, faster, darker: Changes in Hollywood film over 75 years. Iperception, 2 (6), 569–576 JE Cutting, KL Brunick, JE Delong, C Iricinschi, A Candan | 7 | 2011 |
| Children’s parasocial breakups with formerly-favorite media characters KL Brunick, SL Calvert, MN Richards Poster presented at the annual Meeting of the american Psychological Society …, 2015 | 6 | 2015 |
| Low-level perceptual features of children's films and their cognitive implications K Brunick | 2 | 2014 |
| Shot Structure and Visual Activity: The Evolution of Hollywood Film J DeLong, K Brunick, J Cutting Journal of Vision 10 (7), 1229, 2010 | 2 | 2010 |
James E CuttingSusan Linn Sage Professor Emeritus, Psychology, Cornell UniversityGeverifieerd e-mailadres voor cornell.edu