| Maternal horror film: Melodrama and motherhood S Arnold Springer, 2016 | 183 | 2016 |
| Netflix and the myth of choice/participation/autonomy S Arnold The Netflix effect: Technology and entertainment in the 21st century, 49-62, 2016 | 127 | 2016 |
| Urban decay photography and film: Fetishism and the apocalyptic imagination S Arnold Journal of Urban History 41 (2), 326-339, 2015 | 48 | 2015 |
| The Film Handbook M De Valk, S Arnold Routledge, 2013 | 35 | 2013 |
| Creative industries’ new entrants as equality, diversity and inclusion change agents? A O’Brien, S Arnold Cultural trends 33 (2), 174-188, 2024 | 13 | 2024 |
| Gender and Early Television: Mapping Women’s Role in Emerging US and British Media, 1850-1950 S Arnold Bloomsbury Publishing, 2021 | 13 | 2021 |
| Media graduates at work: Irish narratives on policy, education and industry A O'Brien, S Arnold, P Kerrigan Springer Nature, 2021 | 9 | 2021 |
| Netflix and the Myth of Choice/Participation/Autonomy. The Netflix Effect: Technology and Entertainment in the 21st Century. Kevin McDonald and Daniel Smith-Roesey S Arnold Newyork, Bloomsbury Publishing, 2016 | 8 | 2016 |
| Ghettoising the ‘Strong Female Lead’–Netflix, Demographics and Gendered Categorisation S Arnold CST Online, 2014 | 7 | 2014 |
| Experiments in early US television: windows of opportunities for female technical workers in the 1940s S Arnold Women's History Review 31 (4), 561-579, 2022 | 6 | 2022 |
| Doing Women’s Film and Television History: Locating Women in Film and Television S Arnold, A O'Brien Alphaville: Journal of Film and Screen Media, 3-11, 2021 | 6 | 2021 |
| Skills narratives amongst media degree graduates and students: Discourses of hard and soft skills in education-to-work journeys S Arnold Industry and Higher Education 37 (4), 485-495, 2023 | 5 | 2023 |
| Combining motherhood and work in the creative industries: Mothers have the problem A O’Brien, S Arnold Media, Culture & Society 46 (6), 1200-1215, 2024 | 4 | 2024 |
| Netflix and the Myth of Choice S Arnold Participation/Autonomy, The Netflix Effect, 2016 | 4 | 2016 |
| “I never thought about how much of a juggle it would be”: motherhood and work in contemporary Lithuanian and Irish creative industries S Arnold, A O’Brien, L Kaminskaitė-Jančorienė, J Šalaj Feminist Media Studies, 1-17, 2024 | 3 | 2024 |
| Reframing cinematic space and audience practice in the digital age D Llinares, S Arnold Networking Knowledge 8 (5), 1-12, 2015 | 3 | 2015 |
| “I’m so lucky”: narratives of struggle, unfairness and luck in among new entrants to the Irish media industries S Arnold, A O’Brien Creative Industries Journal, 1-18, 2023 | 2 | 2023 |
| Redacted: The Iraqi War According to YouTube. Kinema (40) S Arnold | 2 | 2013 |
| Women in Focus: A Toolkit for Archiving Women's Amateur Film S Arnold, P Frith, KM Johnston, C Madden, ZV Burgess AHRC/UEA, 2023 | 1 | 2023 |
| The Production of Television’s Female Audience: Early BBC Audience Research and Gender Classification S Arnold MAI: Feminism & Visual Culture, 2018 | 1 | 2018 |
