| The material culture of music festival fandoms L Barrière, R Finkel European Journal of Cultural Studies 25 (2), 479-497, 2022 | 26 | 2022 |
| “Safer spaces for everyone”? The Ladyfest scene as an innovative field for the fight against gendered violence in the live music industry L Barrière Arts and the Market 11 (2), 61-75, 2021 | 4 | 2021 |
| Underground Pedagogy of Hope?: German Punk-Feminist Festivals as Education in Feminist Theories and Actions L Barrière Open Gender Journal 5, 1–19-1–19, 2021 | 4 | 2021 |
| A Journey in the World of Queer and Feminist Punk Festivals L Barrière Riffs 3 (2), 70-84, 2019 | 3 | 2019 |
| Délocaliser les scènes metal? Pratiques numériques de médiations queer et féministes des musiques metal L Barrière 4e conférence biennale internationale de l’ISMMS (International Society for …, 2019 | 2 | 2019 |
| Musiquer en ligne? Une analyse de la formation de communautés queer et féministes autour des musiques metal. L Barrière MUSICultures 48, 2021 | 1 | 2021 |
| Culture, médias et politique: perspectives LGBTI et queer L Barrière Genre, sexualité & société, 2023 | | 2023 |
| Faire entendre les voix des contre-publics féministes des scènes DIY : Emplois vocaux et musicaux dans les Ladyfests en Allemagne L Barrière Semen 51, 19-37, 2022 | | 2022 |
| Susan Fast & Craig Jennex, Popular Music and the Politics of Hope L Barrière Volume!. La revue des musiques populaires, 172-175, 2021 | | 2021 |
| “Alle Sternchen mitgemeint”:. Queer popular music festivals and the grassroots reception of queer theories in Post-Wende Germany L Barrière Trajectoires. Revue de la jeune recherche franco-allemande, 2021 | | 2021 |
| The German Ladyfest scene and its venues: A feminist understanding of self-managed leisure collective activities, and inter-generational activist solidarities L Barrière Punk Scholars Network Global Conference, 2020 | | 2020 |
| Barz, Gregory, and Cheng William. 2019. Queering the Field. Sounding Out Ethnomusicology. New York: Oxford University Press. L Barriere Current Musicology 106, 2020 | | 2020 |
| Se réapproprier la nuit: Politiques et représentations musicales de la nuit urbaine, de la Walpurgisnacht aux festivals punk-féministes L Barrière MUSICultures 47, 139-XIX, 2020 | | 2020 |
| Mirko M. Hall, Seth Howes, Cyrus M. Shahan (eds.), Beyond No Future: Cultures of German Punk L Barrière Volume!. La revue des musiques populaires, 156-159, 2019 | | 2019 |
| 10.1 German punk feminist festivals’ gender politics and social space: between identity and anti-identity politics L Barrière | | |
Professor Rebecca Finkel, PhDProfessor, Queen Margaret UniversityAdresă de e-mail confirmată pe qmu.ac.uk