| Intimacy, Authenticity and ‘Worlding’in Beyoncé’s Star Project P Macrossan Popular Music, Stars and Stardom, 137-152, 2018 | 16 | 2018 |
| The musical number as feminist intervention in Crazy Ex-Girlfriend J Ford, P Macrossan Australasian Journal of Popular Culture 8 (1), 55-69, 2019 | 13 | 2019 |
| Blockchain and publishing: towards a publisher-centred distributed ledger for the book publishing industry MD Ryan, P Macrossan, S Wright, M Adams Creative Industries Journal 16 (1), 2-21, 2023 | 12 | 2023 |
| Rethinking singing on screen: the case for contemporary American ‘screensong’across the film musical, music television and the music video P Macrossan Popular Music 40 (2), 210-229, 2021 | 5 | 2021 |
| Gold Coast Independent Screen Production: Industry Forum: Gold Coast Independent Screen Production Launch MD Ryan, P Macrossan, S Cunningham, M McCutcheon Queensland University of Technology, 2020 | 5 | 2020 |
| No point in stopping white paper MD Ryan, P Macrossan, M Adams, C Cliff A Publisher-Centred Blockchain Model for the Book Publishing Industry, 2020 | 2 | 2020 |
| Duets and the Demands of Country Music: Contradictory Feminisms in Nashville. P Macrossan, J Ford Journal of Popular Culture 55 (2), 2022 | 1 | 2022 |
| ‘I’m Still Jenny from the Block’: Jennifer Lopez in Shades of Blue P Macrossan MAI: Feminism and Visual Culture 7, 2021 | 1 | 2021 |
| Clueless at 25 — like, a totally important teen film P Macrossan, J Ford The Conversation, 2020 | 1 | 2020 |
| No point in stopping white paper: A publisher-centred blockchain model for the book publishing industry MD Ryan, P Macrossan, M Adams, C Cliff Queensland University of Technology, 2020 | 1 | 2020 |
| A double-layered nostalgia:'The Sixties,'the Iraq War and The Beatles in Julie Taymor's Across the Universe (2007) P Macrossan Screening the Past 43, 1-13, 2018 | 1 | 2018 |
| Friday essay: From Bowie to Bieber–the under-appreciated art of the music video C Strong, P Macrossan The Conversation 26, 2016 | 1 | 2016 |
| ‘I work hard and I’m nice to people’: Taylor Swift, Miss Americana and the limits of white neoliberal feminism J Ford, P Macrossan Continuum, 1-13, 2024 | | 2024 |
| Mermaids and bin chickens: Australian teenagers’ engagement with screen stories in the on-demand age A Potter, C Archer-Lean, P Macrossan, H Beazley Media International Australia 193 (1), 33-47, 2024 | | 2024 |
| ‘I pretty much already know what Australia’s like’: what Aussie teenagers told us about not watching local TV P Macrossan, A Potter The Conversation 3, 2024 | | 2024 |
| The forgotten history of the Australian film musical: tracking the production and development of the genre in Australia P Macrossan Studies in Australasian Cinema 17 (3), 111-125, 2023 | | 2023 |
| Screen Production on the Sunshine Coast MD Ryan, P Macrossan, P Innes, C Stieler-Hunt University of the Sunshine Coast, 2023 | | 2023 |
| 5 Aussie musicals you might not have heard of–but really should see P Macrossan The Conversation 10, 2023 | | 2023 |
| Glee, ‘quality’ teen television, and the screen musical in the twenty-first century P Macrossan Refractory: A Journal of Entertainment Media 36, 2022 | | 2022 |
| From cringe to binge: the ingredients that make Byron Baes compelling reality television P Macrossan The Conversation, 2022 | | 2022 |
Jessica FordUniversity of AdelaideOverená e-mailová adresa na: adelaide.edu.au