| Pigment compendium: a dictionary of historical pigments N Eastaugh, V Walsh, T Chaplin, R Siddall Routledge, 2007 | 1666 | 2007 |
| Hyperspectral imaging combined with data classification techniques as an aid for artwork authentication A Polak, T Kelman, P Murray, S Marshall, DJM Stothard, N Eastaugh, ... Journal of Cultural Heritage 26, 1-11, 2017 | 134 | 2017 |
| Bomb-pulse radiocarbon dating of modern paintings on canvas F Brock, N Eastaugh, T Ford, JH Townsend Radiocarbon 61 (1), 39-49, 2019 | 24 | 2019 |
| Antwerp artists and the practice of painting on copper MK Komanecky, I Horovitz, N Eastaugh Studies in Conservation 43 (sup1), 136-139, 1998 | 19 | 1998 |
| A systematic examination of colour development in synthetic ultramarine according to historical methods I Hamerton, L Tedaldi, N Eastaugh Plos one 8 (2), e50364, 2013 | 18 | 2013 |
| Pompei purpurissum pigment problems M Clarke, P Frederickx, MP Colombini, A Andreotti, J Wouters, ... Art 5, 8th, 2005 | 18 | 2005 |
| Use of infrared hyperspectral imaging as an aid for paint identification A Polak, T Kelman, P Murray, S Marshall, DJM Stothard, N Eastaugh, ... Journal of Spectral Imaging 5 (1), 1-10, 2016 | 14 | 2016 |
| The Pigment Compendium: The Pigment Compendium. A Dictionary of Historical Pigments N Eastaugh Elsevier, 2005 | 14 | 2005 |
| Dirt and Pictures Separated: papers given at a conference held jointly by UKIC and the Tate Gallery, January 1990 S Hackney, JH Townsend, N Eastaugh, T Gallery | 14 | 1990 |
| High-resolution non-invasive X-ray diffraction analysis of artists’ paints CI Hiley, G Hansford, N Eastaugh Journal of Cultural Heritage 53, 1-13, 2022 | 12 | 2022 |
| The visual effects of dirt on paintings N Eastaugh Dirt and pictures separated: papers given at a conference held jointly by …, 1990 | 9 | 1990 |
| Optical microscopy N Eastaugh, V Walsh Conservation of easel paintings, 322-334, 2020 | 7 | 2020 |
| Samplings N Eastaugh Conservation news (United Kingdom Institute for Conservation of Historic and …, 1989 | 7 | 1989 |
| Science for the art market: A buyer’s guide N Eastaugh, J Nadolny ArtBanc Market Intelligence 7, 33-37, 2007 | 6 | 2007 |
| Optical microscopy of historical pigments N Eastaugh (No Title), 2004 | 6 | 2004 |
| Examination of paintings by infra-red and other techniques N Eastaugh IEE Colloquium on NDT in Archaeology and Art, 6/1, 1995 | 6 | 1995 |
| Some experiments comparing the performance of detergent formulations based on anionic and non-ionic Surfactants under conditions relating to conservation use N Eastaugh ICOM committee for conservation: 8th triennial meeting, Sydney, Australia, 6 …, 1987 | 6 | 1987 |
| Scientific dating of paintings by N Eastaugh Infocus Magazine 41 (1), 30, 2006 | 5 | 2006 |
| The Adisham ‘Reredos’. What is It? C Tracy, P Woodfield, H Howard, I Tyers, N Eastaugh Journal of the British Archaeological Association 156 (1), 27-78, 2003 | 5 | 2003 |
| Pigmenti di Pompei: verso la definizione di uno standard di riferimento per la ricerca sui pigmenti romani. VW Walsh, R Siddall, N Eastaugh, T Chaplin Universita del Sannio, Universita di Modena e Reggio Emilia, Soprintendenza …, 2003 | 5 | 2003 |
