Sofia Dahl

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Prithvi KantanAalborg University CopenhagenVerifierad e-postadress på create.aau.dk
Erika G. SpaichAalborg UniversityVerifierad e-postadress på hst.aau.dk
Anders FribergKTH Royal Institute of TechnologyVerifierad e-postadress på kth.se
Roberto BresinProfessor of Media Technology, KTH Royal Institute of technologyVerifierad e-postadress på kth.se
Frank PollickProfessor of Psychology, University of GlasgowVerifierad e-postadress på glasgow.ac.uk
Federico AvanziniFull Professor, University of MilanoVerifierad e-postadress på di.unimi.it
Davide RocchessoProfessor. Università degli Studi di MilanoVerifierad e-postadress på unimi.it
Altenmüller EckartProfessor für Musikphysiologie, Hannover University of Music, Drama, and Media Verifierad e-postadress på hmtm-hannover.de
Cumhur ErkutAssociate Professor, Aalborg University CopenhagenVerifierad e-postadress på create.aau.dk
David HuronAcademy Professor Emeritus, Ohio State UniversityVerifierad e-postadress på osu.edu
Michael GrossbachHochschule für Musik, Theater und Medien - HannoverVerifierad e-postadress på hmtm-hannover.de
Stefania SerafinAalborg UniversityVerifierad e-postadress på create.aau.dk
Rolf Inge GodøyProfessor of Musicology, University of OsloVerifierad e-postadress på imv.uio.no
Frederic BevilacquaIRCAM ParisVerifierad e-postadress på ircam.fr
Antonio CamurriProfessor, University of Genoa, ItalyVerifierad e-postadress på unige.it
Svante GranqvistUniversitetslektor Kungl. tekniska högskolanVerifierad e-postadress på kth.se
Victor González SánchezSINTEFVerifierad e-postadress på sintef.no
Johannes Lunde HatfieldProfessor at Inland Norway University of Applied SciencesVerifierad e-postadress på inn.no
Dan OverholtAalborg University CopenhagenVerifierad e-postadress på create.aau.dk
Thomas Bjørner, Head of Media Innov...Aalborg UniversityVerifierad e-postadress på create.aau.dk

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Sofia Dahl

Associate Professor in Music perception and Cognition, Aalborg University

Verifierad e-postadress på create.aau.dk

Musicians' movements timing production and perception


Titel Sortera efter citat Sortera efter år Sortera efter titel	Citeras av Citeras av	År
Visual perception of expressiveness in musicians' body movements S Dahl, A Friberg Music Perception 24 (5), 433-454, 2007	494	2007
Gestures in performance S Dahl, F Bevilacqua, R Bresin musical Gestures, 48-80, 2010	149	2010
Multisensory integration of drumming actions: musical expertise affects perceived audiovisual asynchrony K Petrini, S Dahl, D Rocchesso, CH Waadeland, F Avanzini, A Puce, ... Experimental brain research 198, 339-352, 2009	131	2009
Playing the accent-comparing striking velocity and timing in an ostinato rhythm performed by four drummers S Dahl Acta Acustica united with Acustica 90 (4), 762-776, 2004	129	2004
The playing of an accent–preliminary observations from temporal and kinematic analysis of percussionists S Dahl Journal of New Music Research 29 (3), 225-233, 2000	96	2000
Action expertise reduces brain activity for audiovisual matching actions: an fMRI study with expert drummers K Petrini, FE Pollick, S Dahl, P McAleer, L McKay, D Rocchesso, ... Neuroimage 56 (3), 1480-1492, 2011	89	2011
Expressiveness of musician’s body movements in performances on marimba S Dahl, A Friberg International Gesture Workshop, 479-486, 2003	79	2003
Striking movements: A survey of motion analysis of percussionists S Dahl Acoustical science and technology 32 (5), 168-173, 2011	53	2011
On the beat: Human movement and timing in the production and perception of music S Dahl KTH, 2005	52	2005
Characterizing movement fluency in musical performance: Toward a generic measure for technology enhanced learning V Gonzalez-Sanchez, S Dahl, JL Hatfield, RI Godøy Frontiers in psychology 10, 84, 2019	48	2019
Movements and analysis of drumming S Dahl Oxford University Press, 2012	47	2012
Preferred dance tempo: does sex or body morphology influence how we groove? S Dahl, D Huron, G Brod, E Altenmüller Journal of New Music Research 43 (2), 214-223, 2014	43	2014
Is the player more influenced by the auditory than the tactile feedback from the instrument S Dahl, R Bresin Proceedings of the Digital Audio Effects Conference (DAFx), 6-9, 2001	37	2001
Motor control in drumming: Influence of movement pattern on contact force and sound characteristics S Dahl, E Altenmuller Journal of the Acoustical Society of America 123 (5), 3122, 2008	36	2008
Facial expression and vocal pitch height: Evidence of an intermodal association. D Huron, S Dahl, R Johnson Empirical Musicology Review 4 (3), 93-100, 2009	33	2009
Experiments on gestures: walking, running, and hitting R Bresin, S Dahl The sounding object, 111-136, 2003	30	2003
Ghost in the Cave–an interactive collaborative game using non-verbal communication ML Rinman, A Friberg, B Bendiksen, D Cirotteau, S Dahl, I Kjellmo, ... International Gesture Workshop, 549-556, 2003	26	2003
A technical framework for musical biofeedback in stroke rehabilitation P Kantan, EG Spaich, S Dahl IEEE Transactions on Human-Machine Systems 52 (2), 220-231, 2022	23	2022
Spectral changes in the tom-tom related to striking force S Dahl Royal Institute of Technology, Department of Speech, Music and Hearing, 1996	23	1996
What can the body movements reveal about a musician’s emotional intention? S Dahl, A Friberg SMAC 03, Stockholm Music Acoustics Conference 2, 599-602, 2003	19	2003

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