| The Bailey-Derek grammar: recording the craft of wire-bending in the Trinidad carnival VAA Noel ACM SIGGRAPH Art Papers, 357-365, 2015 | 26 | 2015 |
| Crafting as Inquiry into Computation-Exploring wire-bending in traditional practice and design education VAA Noel Herneoja, Aulikki, 311-320, 2016 | 15 | 2016 |
| Situated computations: bridging craft and computation in the Trinidad and Tobago Carnival VAA Noel Dearq, 62-75, 2020 | 13 | 2020 |
| From costuming and dancing sculptures to architecture: the corporeal and computational in design and fabrication of lightweight mobile structures VAA Noel Future Trajectories of Computations in Design. CAAD FUTURES, 2017 | 12 | 2017 |
| Design computation and restoring craftsmanship: the Bailey-Derek grammar in wire-bending V Noel Hello, Culture, 506-525, 2019 | 9 | 2019 |
| Trinidad carnival: improving design through computation and digital technology VAA Noel Massachusetts Institute of Technology, 2013 | 9 | 2013 |
| Computational regionalism: De-familiarization of tectonics in the wire-bending craft VAA Noel International Journal of Architectural Computing 20 (2), 277-296, 2022 | 6 | 2022 |
| The question of access: Toward an equitable future of computational design VAA Noel, Y Boeva, H Dortdivanlioglu International Journal of Architectural Computing 19 (4), 496-511, 2021 | 5 | 2021 |
| A framework for repairing craft: a case study on wire-bending in Trinidad & Tobago VAA Noel The Pennsylvania State University, 2019 | 5 | 2019 |
| The Infinite Line Active Bending Pavilion: Culture, Craft and Computation S Noel, Vernelle A A, Nikookar, Niloofar, Pye, Jamieson, Tran, Phuong, and ... International Conference of the Association for Computer-Aided Architectural …, 2021 | 2* | 2021 |
| Reviving a Craft through Architecture: Computational Making of a lightweight pavilion based on wire-bending techniques VAA Noel Proceedings of IASS Annual Symposia 2019 (5), 1-8, 2019 | 2 | 2019 |
| A Non-Representational Description of the Craft Practice of Wire-Bending VAA Noel Conference presented at the S 4, 2018 | 2 | 2018 |
| Digitally displaying and interacting with historic artifacts of spatial, temporal, corporeal, and kinetic dimensions VAA Noel Stud Digit Herit 1 (2), 251-268, 2017 | 2 | 2017 |
| H (EC) I–Human Ethno-Computational Interaction:(Re) Conceptualizing Wire-Bending and Design in the Trinidad Carnival VAA Noel Digital Craftsmanship: HCI Takes on Technology as an Expressive Medium. April 20, 2016 | 2 | 2016 |
| A mindful body approach to creating architecture: movement, models and spatial experiences VAA Noel, S Parikh, J Wilson, S Grunert Philosophical Transactions B 379 (1911), 20230153, 2024 | 1 | 2024 |
| New Technologies in the Preservation and Development of Design in the Trinidad Carnival VAA Noel 21st Conference on Cultural Heritage and New Technologies, Austria, 2016 | 1 | 2016 |
| Repairing Code, Craft, and Computation VAA Noel Technology| Architecture+ Design 8 (2), 187-192, 2024 | | 2024 |
| Critical computational relations in design, architecture and the built environment Y Boeva, VAA Noel Digital Creativity 34 (2), 79-87, 2023 | | 2023 |
| The radical (re) construction of memory in the American South DS Willkens, VAA Noel Structures and Architecture. A Viable Urban Perspective?, 379-386, 2022 | | 2022 |
| Computers, Craft, and Culture: Creative and Critical Inquiry into Computation Design VAA Noel Georgia Institute of Technology, 2021 | | 2021 |
