| Affect and the medium of digital data A Nash Fibreculture Journal 21, 10-30, 2012 | 24 | 2012 |
| FCJ-173 Being and Media: Digital ontology after the event of the end of media J Clemens, A Nash The Fibreculture Journal, 2015 | 21 | 2015 |
| Affect, people, and digital social networks A Nash Emotions, technology, and social media, 3-23, 2016 | 19 | 2016 |
| An aesthetics of digital virtual environments A Nash New Opportunities for Artistic Practice in Virtual Worlds, 1-22, 2015 | 14 | 2015 |
| Two families: dynamical policy models in interactive storytelling F Zambetta, A Nash, P Smith Proceedings of the 4th Australasian conference on Interactive entertainment, 1-8, 2007 | 11 | 2007 |
| Game asset repetition S Greuter, A Nash Proceedings of the 2014 Conference on Interactive Entertainment, 1-5, 2014 | 10 | 2014 |
| Virtual interiorities A Nash, K Geck, A Miller Interiority 4 (2), 207-222, 2021 | 8 | 2021 |
| Real time art engines 3: post-convergent creative practice in MUVEs A Nash Proceedings of the 4th Australasian Conference on interactive Entertainment, 1-3, 2007 | 7 | 2007 |
| Seven theses on the concept of “post-convergence” J Clemens, A Nash Academia, https://www. academia. edu/27057333 …, 2020 | 6 | 2020 |
| Art imitates the Digital A Nash Lumina 11 (2), 110-125, 2017 | 6 | 2017 |
| Irremediability: on the very concept of digital ontology J Clemens, A Nash Digital Existence, 29-60, 2018 | 5 | 2018 |
| Coupling quantified bodies: affective possibilities of self-quantification beyond the self R Cercós, W Goddard, A Nash, J Yuille Digital Culture & Society 2 (1), 177-182, 2016 | 5 | 2016 |
| Big screens, little acts: Transformations in the structures and operations of public address J Clemens, C Dodds, A Nash Ambient Screens and Transnational Public Spaces, 49-58, 2016 | 4 | 2016 |
| The radical productivity of play A Nash, T Penney 9th international conference on the philosophy of computer games, BKT …, 2015 | 4 | 2015 |
| Documenting Digital Performance Artworks A Nash, L Vaughan Documenting Performance: The Context and Processes of Digital Curation and …, 2017 | 3 | 2017 |
| Contemplative interaction in mixed reality artworks M Riley, A Nash Proceedings of the ISEA 2014, 20th, 2014 | 3 | 2014 |
| Realtime 3d multi-user virtual environments as a post-convergent medium A Nash RMIT University, 2010 | 3 | 2010 |
| Take a Good Hard Look at Yourself: Autoscopia and the Networked Image. J Clemens, A Nash New Imaging: Transdisciplinary strategies for art beyond the new media 26 (2 …, 2009 | 3 | 2009 |
| Babelswarm A Nash, C Dodds, J Clemens | 3 | 2008 |
| Recognition: combining human interaction and a digital performing agent J McCormick, A Nash, S Hutchison, K Vincs, S Nahavandi, D Creighton Proceedings of the 2014 Virtual Reality International Conference, 1-5, 2014 | 2 | 2014 |
Justin ClemensSenior Lecturer, University of Melbourneunimelb.edu.au üzerinde doğrulanmış e-posta adresine sahip
