Takip et
Roberto Bresin
Roberto Bresin
Professor of Media Technology, KTH Royal Institute of technology
kth.se üzerinde doğrulanmış e-posta adresine sahip - Ana Sayfa
Başlık
Alıntı yapanlar
Alıntı yapanlar
Yıl
A dimensional approach to vocal expression of emotion
P Laukka, P Juslin, R Bresin
Cognition & Emotion 19 (5), 633-653, 2005
3882005
Overview of the KTH rule system for musical performance
A Friberg, R Bresin, J Sundberg
Advances in Cognitive Psychology 2 (2-3), 145-161, 2006
3732006
A Systematic Review of Mapping Strategies for the Sonification of Physical Quantities (vol 8, e82491, 2013)
G Dubus, R Bresin
PLOS ONE 9 (4), 2013
341*2013
Sounding objects
D Rocchesso, R Bresin, M Fernstrom
IEEE MultiMedia 10 (2), 42-52, 2003
3332003
“Expressivity comes from within your soul”: A questionnaire study of music students' perspectives on expressivity
E Lindström, PN Juslin, R Bresin, A Williamon
Research Studies in Music Education 20 (1), 23-47, 2003
2942003
Emotional coloring of computer-controlled music performances
R Bresin, A Friberg
Computer Music Journal 24 (4), 44-63, 2000
2732000
Toward a computational model of expression in music performance: The GERM model
PN Juslin, A Friberg, R Bresin
Musicae scientiae 5 (1_suppl), 63-122, 2001
2222001
Emotional expression in music: contribution, linearity, and additivity of primary musical cues
T Eerola, A Friberg, R Bresin
Frontiers in psychology 4, 487, 2013
1952013
Emotion rendering in music: range and characteristic values of seven musical variables
R Bresin, A Friberg
cortex 47 (9), 1068-1081, 2011
1652011
Gestures in performance
S Dahl, F Bevilacqua, R Bresin, M Clayton, L Leante, I Poggi, ...
Musical gestures: Sound, movement, and meaning, 36-68, 2009
1522009
Articulation Strategies in Expressive Piano Performance Analysis of Legato, Staccato, and Repeated Notes in Performances of the Andante Movement of Mozart’s Sonata in G Major …
R Bresin, GU Battel
Journal of New Music Research 29 (3), 211-224, 2000
1292000
Is the player more influenced by the auditory than the tactile feedback from the instrument
S Dahl, R Bresin
Proc. of the COST-G6 Workshop on Digital Audio Effects (DAFx-01), Limerick …, 2001
125*2001
Affective diary: designing for bodily expressiveness and self-reflection
M Lindström, A Ståhl, K Höök, P Sundström, J Laaksolathi, M Combetto, ...
CHI'06 extended abstracts on Human factors in computing systems, 1037-1042, 2006
1202006
Artificial neural networks based models for automatic performance of musical scores
R Bresin
Journal of New Music Research 27 (3), 239-270, 1998
1151998
Sound design and perception in walking interactions
Y Visell, F Fontana, BL Giordano, R Nordahl, S Serafin, R Bresin
International Journal of Human-Computer Studies 67 (11), 947-959, 2009
1132009
What is the color of that music performance?
R Bresin
ICMC, 2005
982005
Sonic interaction design: sound, information and experience
D Rocchesso, S Serafin, F Behrendt, N Bernardini, R Bresin, G Eckel, ...
CHI'08 Extended Abstracts on Human Factors in Computing Systems, 3969-3972, 2008
912008
Articulation Rules For Automatic Music Performance.
R Bresin
ICMC, 2001
892001
‘Sense’in Expressive Music Performance: Data Acquisition, Computational Studies, and Models
W Goebl, S Dixon, G De Poli, A Friberg, R Bresin, G Widmer
Cirotteau, Damien (Ed.): Sound to Sense, Sense to Sound: A State-of-the-Art …, 2008
842008
Musical punctuation on the microlevel: Automatic identification and performance of small melodic units
A Friberg, R Bresin, L Frydén, J Sundberg
Journal of New Music Research 27 (3), 271-292, 1998
841998
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