Ten Questions Concerning Generative Computer Art Page 1 ©2014 ISAST doi:10.1162/LEON_a_00533
LEONARDO, Vol. 47, No. 2, pp. 135–141, 2014 135 Jon McCormack (artist, researcher) …

In this article we argue that a framework for the description, analysis and comparison of
generative artworks is needed. Existing ideas from kinetic art and other domains in which …

A multidisciplinary introduction to the field of computational creativity, analyzing the impact of
advanced generative technologies on art and music. As algorithms get smarter, what role …

This dissertation investigates the ways in which the composition and production of electronic
music is influenced by software and digital instrument design. Through my research, I found …

This paper introduces AtomSwarm, a framework for sound-based performance using swarm
dynamics. The classical ruleset for flocking simulations is augmented with genetically …

Design—especially of physical objects—can be understood as creative acts solving
practical problems. In this article, we describe a biologically inspired developmental model …

In the first decades of the twenty-first century,'indie'became a widespread descriptor for a
gaming culture comprising developers, players, and distributors interested in creating an …

Spatial music can create immersive experiences of alternate realities. To what degree can
this be expanded to the composition of immersive, navigable, audio-visual worlds? We …

The concept of a “strange ontology” is articulated via the intersection of philosophical and
computational definitions of ontology. Within digital media, each simulated world requires …

User interface design often focuses so heavily on clean and minimal interface aesthetics that
any deviation is often rejected as “ugly”. This tendency towards abstraction in UI design can …