We present Gibber: a live coding environment for web browsers. Gibber performances are
written in pure Java-Script with no syntactical additions or modifications; this enables Gibber …

After an eventful decade of live-coding activities, this article seeks to explore the practice
with the aim of situating it in the history of contemporary arts and music. The article …

This paper describes our research in full-surround, multimodal, multi-user, immersive
instrument design in a large VR instrument. The three-story instrument, designed for large …

In live coding performance, performers create time-based works by programming them while
these same works are being executed. The high cognitive load of this practice, along with …

We describe design decisions informing the development of Gibber, an audiovisual
programming environment for the browser. Our design comprises a consistent notation …

We describe research extending the interactive affordances of textual code fragments in
creative coding environments. In particular we examine the potential of source code both to …

We introduce a form of networked music performance where a performer plays a mobile
music instrument while it is being implemented on the fly by a live coder. This setup poses a …

We discuss live coding audio-visual worlds for large-scale virtual reality environments. We
describe Alive, an instrument allowing multiple users to develop sonic and visual behaviors …

Composition for Conductor and Audience is an audience interaction piece first performed for
an audience of over seventy-five people in June of 2011. The audience becomes the …

Live programs can be modified while the program is executing in order to provide a more
reactive experience for the programmer. In demanding applications, such programs …