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Aeroacoustics of musical instruments
We are interested in the quality of sound produced by musical instruments and their
playability. In wind instruments, a hydrodynamic source of sound is coupled to an acoustic …
playability. In wind instruments, a hydrodynamic source of sound is coupled to an acoustic …
Synthetic, self-oscillating vocal fold models for voice production research
SL Thomson - The Journal of the Acoustical Society of America, 2024 - pubs.aip.org
Sound for the human voice is produced by vocal fold flow-induced vibration and involves a
complex coupling between flow dynamics, tissue motion, and acoustics. Over the past three …
complex coupling between flow dynamics, tissue motion, and acoustics. Over the past three …
[KNIHA][B] The science of brass instruments
When a musician is presented with an unfamiliar instrument, the natural reaction is to
investigate its properties and musical possibilities. If the instrument in question is a member …
investigate its properties and musical possibilities. If the instrument in question is a member …
An in vitro setup to test the relevance and the accuracy of low-order vocal folds models
N Ruty, X Pelorson, A Van Hirtum… - The Journal of the …, 2007 - pubs.aip.org
An experimental setup and human vocal folds replica able to produce self-sustained
oscillations are presented. The aim of the setup is to assess the relevance and the accuracy …
oscillations are presented. The aim of the setup is to assess the relevance and the accuracy …
Brass instruments: linear stability analysis and experiments with an artificial mouth
JS Cullen, J Gilbert… - Acta Acustica united with …, 2000 - ingentaconnect.com
The self-sustained oscillation of a brass wind musical instrument involves a complex
aerodynamic coupling between a multimode mechanical vibratory system (the lips of the …
aerodynamic coupling between a multimode mechanical vibratory system (the lips of the …
Relationships between pressure, flow, lip motion, and upstream and downstream impedances for the trombone
This experimental study investigates ten subjects playing the trombone in the lower and mid-
high range of the instrument, B♭ 2 to F4. Several techniques are combined to show the …
high range of the instrument, B♭ 2 to F4. Several techniques are combined to show the …
Effect of source–tract acoustical coupling on the oscillation onset of the vocal folds
JC Lucero, KG Lourenço, N Hermant… - The Journal of the …, 2012 - pubs.aip.org
This paper analyzes the interaction between the vocal folds and vocal tract at phonation
onset due to the acoustical coupling between both systems. Data collected from a …
onset due to the acoustical coupling between both systems. Data collected from a …
A new classification of wind instruments: Orofacial considerations
Background/objective Playing a wind instrument implies rhythmic jaw movements where the
embouchure applies forces with different directions and intensities towards the orofacial …
embouchure applies forces with different directions and intensities towards the orofacial …
Virtual acoustic musical instruments: Review and update
JO Smith - Journal of New Music Research, 2004 - Taylor & Francis
This article gives an overview of selected developments in musical sound synthesis based
on physical models of musical instruments–sometimes called “virtual acoustic” sound …
on physical models of musical instruments–sometimes called “virtual acoustic” sound …
Brass instruments as we know them today
M Campbell - Acta Acustica united with Acustica, 2004 - ingentaconnect.com
Since the time of Helmholtz, brass instrument models have treated the lips of the player as a
pressure-controlled flow valve coupled to the instrument's resonating air column. This …
pressure-controlled flow valve coupled to the instrument's resonating air column. This …